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Mr. Harris. But I have been fortunate enough recently to secure direct evidence that one of the American Negro stories recorded by Mr. Harris came from Africa. While collecting our Rhymes, I asked Dr. C. C. Fuller of the South African Mission, at Chikore, Melsetter, Rhodesia, Africa, for an African Rhyme in Chindau. I might add parenthetically: I have never seen pictures of a cruder or more primitive people than these people who speak Chindau. He obtained and sent me the Rhyme "The Turkey Buzzard" found in our Foreign Section. It was given to him by the Reverend J. E. Hatch of the South African General Mission. Along with this rhyme came the following in his kind and obliging letter: "We thought the story of how the Crocodile got its scaly skin might be of interest also": "Why the Crocodile Has a Hard, Scaly Skin." "Long ago the Crocodile had a soft skin like that of the other animals. He used to go far from the rivers and catch animals and children and by so doing annoyed the people very much. So one day when he was far away from water, they surrounded him and set the grass on fire on every side, so that he could not escape to the river without passing through the fire. The fire overtook him and scorched and seared his back, so that from that day his skin has been hard and scaly, and he no longer goes far from the rivers." This is about as literal an outline of the American Negro story "Why the Alligator's Back is Rough" as one could have. The slight difference is that the direct African version mixes people in with the plot. This along with Mr. Harris's evidences practically establishes the fact that the Negro animal story outlines came with the Negroes themselves from Africa and would also render it practically certain that many animal rhymes came in the same way since these Rhymes in many cases accompany the stories. Then there are Rhymes, not animal Rhymes, which seem to carry plainly in their thought content a probable African origin. In the Rhyme, "Bought Me a Wife," there is not only the mentioning of buying a wife, but there is the setting forth of feeding her along with guineas, chickens, etc., out under a tree. Such a conception does not fit in with American slave life but does fit into widely prevailing conditions found in Africa. Read the last stanza of "Ration Day," where the slave sings of going after death to a land where there are trees that bear fritters and where there are ponds of honey.
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