d, not much attention
has been paid to it in other fields.
It holds good in the world of inanimate matter. There are three general
classes of chemical compounds: Acids, bases, and salts. But along with
these three general classes are found all kinds of connecting links:
Acid salts, basic salts, hydroxy acids, etc.
It holds good in the animal and plant worlds. Looking at the ancestors
of the horse in geological history we find that the first kind of horse
to appear upon the earth was the Oeohippus. He had four toes on the
hind foot and three on the front one. Through a long period of
development, the present day one-toed horse descended from this
many-toed primitive horse. There is certainty of the line of descent of
the horse because all the connecting links have been discovered in
fossil form, between the primitive horse and the present day horse.
Plants in like manner show all kinds of connecting links.
The law holds sway in the world of language; and that is the world with
which we are concerned here. The state of Louisiana once belonged to the
French; now it belongs to an English-speaking people. If one goes among
the Creoles in Louisiana he will find a very few who speak almost
Parisian French and very poor English. Then he will find a very large
number who speak a pure English and a very poor French. Between these
classes he will find those speaking all grades of French and English.
These last mentioned are the connecting links, and the connecting links
bespeak a line of evolution where those of French descent are gradually
passing over to a class which will finally speak the English language
exclusively.
Now let us turn our attention again directly to the discussion of the
evolution of Negro Folk Rhymes. One can judge whether or not he has
discovered the correct line of descent of the Rhymes by seeing whether
or not he has all the connecting links requisite to the line of
evolution. I think it must be agreed that I have given every type of
connecting link between common Field "calls" and "sponses," and
incipient crude Negro Rhymes. They set the mold for the other general
Negro Rhymes not hitherto discussed.
If the reader will be kind enough to apply the test of connecting links
to the Play and other Rhymes already discussed, he will find that the
reactions will indicate that we have traced their correct lines of
origin and descent.
The spirit of "call" and "sponse" hovers ghost-like over the very
th
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