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artists of Greece, and precious monuments of literature and ancient genius, were irrecoverably lost. Whether or not this fire took place through Nero's orders, and was played to by him on the harp, he showed more feeling for the people and more good sense in the rebuilding of the city than could have been expected from one of his weak and vicious character. By his orders the Field of Mars, the magnificent buildings erected by Agrippa, and even the imperial gardens were thrown open to the houseless people, and sheds for their shelter were erected with all possible haste. Household utensils and all kinds of useful implements were brought from Ostia and other neighboring cities, and the price of grain was reduced. But all this failed to gain the good-will of the people, who were exasperated by the story that Nero had exulted in the grandeur of the flames, and harped over burning Rome. When the fire was at length subdued, of the fourteen quarters of Rome only four were left entire; the remainder presented more or less utter ruin. The conflagration in the time of the Gauls had been little more complete, while the wealth now consumed was incomparably greater. The whole world had been robbed of its treasures to feed the flames of Rome. But the haste and ill-judged confusion with which the city was rebuilt after the irruption of the Gauls was not now repeated. A regular plan was formed; the new streets were made wide and straight; the elevation of the houses was defined, and each was given an open area before the door, and was adorned with porticos. The expense of these porticos Nero took upon himself. He ordered also that the new houses should not be contiguous, but that each should be surrounded by its own enclosure; and, in order to hurry the work, he offered rewards to those who should finish their buildings in a fixed period. As for the refuse of the fire, it was removed at Nero's expense to the marshes of Ostia in the ships that brought corn up the Tiber. These regulations, while they must have made much confusion among the rival claimants of building sites, added greatly to the beauty and comfort of the new city, and the Rome which rose from the ruins was far more stately and handsome than the Rome which had vanished in ashes and smoke. But Nero, while showing some passing feeling for the people and some wisdom in the rebuilding of the city, did not hesitate to use a generous portion of the devastated space for his
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Agrippa