lmbold), 181

Trangram, The, 181-183

Trenchard, John and Edward, 63

Trumbull, John, 102

Tuesday Club, The, 94

Tyler, Royall, 116, 125

United States Magazine, The, 53-61

United States Magazine and Democratic Review, The, 215

Vaughan, John, 89

Verplanck, G. C., his edition of Shakespeare, 107-8

Vicar of Wakefield, 10

Village Museum, 243-4

"Violetta" (pen-name of Harriet Fenno), 128

Waldie, Adam, 211, 215, 224

Waldie's Select Circulating Library, 211-212

Waldie's Literary Omnibus, 215

Wallace, Henry E., 231

Walsh, Robert, 116, 189-192

Washington, George, 16, 17, 45, 47, 51, 52, 64, 67, 70, 72, 78, 87,
89, 117, 143, 189

Watson, Elkanah, quoted, 50

Watters, James, 79-81

Webbe, Geo., 86

Webbe, John, 19, 24, 25

Webster, Noah, 66, 98-99

Weekly Magazine, The, 79-81

Weekly Messenger, The, 215

West, Benjamin, earliest reference to, 32; 45, 86, 99-103, 176

Wharton, C. H., 198

Wharton, Thomas, 116, 123

Wheatley, Phillis, 51, 52

Whim, The, 241

Whipple, E. P., 221

Whitfield, George, 27

White, Bishop William, 138

Whittier, J. G., 20, 224

"Who has robbed the Ocean Cave?" 118

Willing, Thos., 87

Williams, J. N., 12

Willis, N. P., 222, 232

Wilson, Alexander, 10, 62, 116, 130, 135

Winchester, Elhanan, 74

Wistar Parties, 88, 117

Witherspoon, Dr., 50, 56-57

Wood, Wm. B., 116

Wood, Mrs. Henry, 201

Wordsworth, the first American edition of, 109-10; 163

Workman, Judge, 117, 144

Young People's Book, The, 230

Zieber, G. B., 235, 236

End of the Project Gutenberg EBook of The Philadelphia Magazines and their
Contributors 1741-1850, by Albert Smyth

*** END OF THIS PROJECT GUTENBERG EBOOK THE PHILADELPHIA MAGAZINES ***

***** This file should be named 24303.txt or 24303.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/4/3/0/24303/

Produced by Annie McGuire and the Online Distributed
Proofreading Team at http://www.pgdp.net

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyrigh