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ound always in the capitals. I remember that we played once in a schoolroom built of corrugated iron and without a vestige of scenery. We put on 'Chums;' and the settler's parlour, the forest scene, and the outer view of the Otago homestead were each and all represented with the help of a green baize cloth, which hung at the rear and on either side of the stage, three upturned petroleum tins, three chairs, a tub, and a little oblong deal table with red legs. We had a stage space of about four yards by three. I played Square Jack Furlong; and in the last act my revolver hung fire and exploded a second or two too late, when it was unfortunately and accidentally levelled at the back of the leading man's head. The waxen pellet which packed the powder hit him smartly on the philoprogenitive bump, and he swore audibly. A revolver is always a nuisance on the stage and a terror to the actor who has to use it. You may buy the best weapon in the trade, you may have your cartridges made with the utmost care; but there will always be a chance of its missing fire. You may have a double in the wings, of course, but even that provides no surety. I have known my own revolver and the double refuse duty at the same instant, and have faced the moaned inquiry of the leading man, who ought to have been stretched out in apparent death throes, 'What the devil's going to happen now?' To make matters better, when I had thrown away the useless weapon with an improvised execration and was about to hurl myself upon the virtuous victim, the pistol in the wings obeyed the pressure of the prompter's finger, and the leading man dropped to a shot from nowhere, to the great mystification of the audience. I am really disposed to believe that the illusion of the scene is very little helped by the most elaborate and realistic works of scene-painter, carpenter, and upholsterer. I have seen the house drowned in tears over that lugubrious and hollow 'East Lynne' when the stage has been enclosed in green baize and there has not been a stick of respectable furniture on the boards. 'East Lynne,' by the way, is one of my puzzles. Except that it has once or twice wearied me to the point of exasperation, it has never moved me in any way; and countless thousands have cried over it. In the New Zealand back blocks people used to weep like watering-carts over its tawdry pathos; and when that awful, awful child, whose business it was to die and who would _not_ do his
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