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elin and the Huns had probably decided that the game was not worth the candle. Paris, therefore, freed from worry from this source, went its usual way at night and crowds thronged the Montmartre district, the quarter inhabited by the student and demi-monde class. Most of the theatres were in that quarter, and, although the majority of the regular playhouses were closed, the picture shows and music halls, such as the "Folies Bergeres" were crowded nightly. There were two performances a week in the Grand Opera House, consisting of acts from different operas. The "Comedie Francaise" the Government endowed theatre, still gave performances at regular intervals, which in perfection of acting were, as always, unequalled anywhere in the world. The Opera Comique also gave grand opera on Sunday afternoons, and the one performance that I was fortunate enough to see--Carmen--was the most perfect production of grand opera that I have ever seen or heard. From the standpoint of the critic I could find no flaw, and though Carmen is not a favorite of mine, I revelled in the perfection of staging, acting and singing of this performance. The street and mob scenes were so realistic that one forgot that they were not real street scenes; the acting of the singers was so fine that one was carried away by it and forgot all about the wooden acting of grand opera customary in America and England; and it was only when the curtain finally rang down that one realized that the flawless performance had been but a play. The restaurants on the Rue des Italiens, near the Place de L'Opera in the Montmartre district were thronged with people. The weather was warm enough for the crowds to sit at the tables under the awnings in front of cafes and sip their wine or coffee, and there I spent many a half hour after my evening lesson in French, watching the crowds surging up and down the broad sidewalk. Men were scarce in Paris, particularly men of military age. A few "Poilus" home on leave, and a number of Belgians, with a sprinking of other soldiers, were the only evidences of war. The men seen were practically all over the military age. It was the golden age for the "has been"; the old man had again come into his own. The girl of the demi-mondaine was having a hard time of it in Paris. There was no travelling public such as usually thronged Paris in search of pleasure and excitement and upon which she had been accustomed to batten. She was ther
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