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feet upon the floor and thrilled under the light touch upon his arm. The insight was over, the whirl was over; he was one of the guests talking to his host's probable daughter-in-law. He went on with his subject. "At least you have not changed your nature," he said with courteous freedom. "You are royal still in defence of your friends. I shall not attack them again." "You would better not," she answered more than half in earnest. "And Katie is--." "Yes, I know," he said. And she felt so keenly that he did know all about it that she readily drew away from him when Archdale came up with some one to speak to her. Stephen saw the movement; Edmonson felt it. "Proud as Lucifer," thought the latter, "will not own where it galls her. She is the kind to hate him if she is bound to him in this way." [Footnote 13: Copyright, 1884, by Frances C. Sparhawk.] * * * * * PUBLISHERS' DEPARTMENT. NOTES. The welcome accorded to the BAY STATE MONTHLY by the reading public of New England during the past year has demonstrated the fact that the magazine has entered a field in which there is room for it to thrive. To many the idea of a local magazine is novel; so in its inception was the idea of a local newspaper, now generously supported by nearly every hamlet in the Union. The GRANITE MONTHLY for New Hampshire and the BAY STATE MONTHLY for Masachusetts are pioneers: their claim for existence is shown by their existence. The growth of each depends upon the patronage afforded by the public. The indications now are that the BAY STATE MONTHLY is fairly launched on a long and prosperous voyage. * * * * * End of Project Gutenberg's The Bay State Monthly, Volume 3, No. 1, by Various *** END OF THIS PROJECT GUTENBERG EBOOK THE BAY STATE MONTHLY *** ***** This file should be named 17721.txt or 17721.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/7/7/2/17721/ Produced by Joshua Hutchinson, David Garcia and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Cornell University Digital Collections) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in th
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