more just, more characteristic--a portrait
in fact that could only belong to Corinne.

Chapter ii.

The Prince Castel-Forte then rose to speak, and his observations upon
the merits of Corinne excited the attention of the whole assembly. He
was about fifty years of age, and there was in his speech and in his
deportment much deliberate ease and dignity. The assurances which Lord
Nelville received from those about him, that he was only the friend of
Corinne, excited, in his lordship's mind, an interest for the portrait
which he drew of her, unmixed with any other emotion. Without such a
security a confused sentiment of jealousy would have already disturbed
the soul of Oswald.

The Prince Castel-Forte read some unpretentious pages of prose which
were particularly calculated to display the genius of Corinne. He first
pointed out the peculiar merit of her work, and said that that merit
partly consisted of her profound study of foreign literature: she
united, in the highest degree, imagination, florid description and all
the brilliancy of the south, with that knowledge, that observation of
the human heart, which falls to the share of those countries where
external objects excite less interest.

He extolled the elegant graces and the lively disposition of Corinne--a
gaiety which partook of no improper levity, but proceeded solely from
the vivacity of the mind and the freshness of the imagination. He
attempted to praise her sensibility, but it was easily perceived that
personal regret mingled itself with this part of his speech. He lamented
the difficulty which a woman of her superior cast experienced of meeting
with the object of which she has formed to herself an ideal portrait--a
portrait clad with every endowment the heart and mind can wish for. He
however took pleasure in painting the passionate sensibility which the
poetry of Corinne inspired, and the art she possessed of seizing every
striking relation between the beauties of nature and the most intimate
impressions of the soul. He exalted the originality of Corinne's
expressions, those expressions which were the offspring of her character
and manner of feeling, without ever permitting any shade of affectation
to disfigure a species of charm not only natural but involuntary.

He spoke of her eloquence as possessing an irresistible force and energy
which must the more transport her hearers the more they possessed within
themselves true intellectual sensibilit