scantily and sombrely
furnished, in the last of which stood the throne chair, turned to the
wall, beneath a red canopy. Beyond this great reception-chamber, and
communicating with it by a low masked door, was the Cardinal's study, a
small room, very high and lighted by a single tall window which opened
upon an inner court of the palace. The furniture was very simple,
consisting of a large writing-table, a few high-backed chairs, and the
Cardinal's own easy-chair, covered with dingy leather and well worn by
use. On the dark green walls hung two engravings, one a portrait of Pius
IX., the other a likeness of Leo XIII. The Cardinal himself sat in the
arm-chair, holding a newspaper spread out upon his knees.
"Good-day, Don Paolo," he said, in a pleasant, but not very musical
voice.
His Eminence was a man about sixty years of age, hale and strong in
appearance, but below the middle height and somewhat inclining to
stoutness. His face was round, and the complexion very clear, which,
with his small and bright brown eyes, gave him a look of cheerful
vitality. Short white hair fringed his head where it was not covered by
the small scarlet skull-cap. He wore a purple cassock with scarlet
buttons and a scarlet silk mantle, which fell in graceful folds over one
arm of the chair.
"Good-day, Eminence," answered Don Paolo, touching the great ruby ring
with his lips. Then, in obedience to a gesture, the priest sat down upon
one of the high-backed chairs.
"What weather have we to-day?" asked the Cardinal after a pause.
"Scirocco, Eminence."
"Ah, I thought so--especially this morning, very early. It is very
disagreeable. Since Padre Secchi found that the scirocco really brings
the sand of the desert with it, I dislike it more than ever. And what
have you been doing, Don Paolo? Have you been to see about the
crucifix?"
"I spoke to my brother about it last night, Eminence. He said he would
do his best to make it in the time, but that he would have preferred to
have a little longer."
"He is a good artist, your brother," said the Cardinal, nodding his head
slowly and joining his hands, while the newspaper slipped to the floor.
"A good artist," repeated Don Paolo, stooping to pick up the sheet. "I
have just seen his best work--a crucifix such as your Eminence wishes.
Indeed, he proposed that you should take it, for he says he can make
nothing better."
"Let us see, let us see," answered the prelate, in a tone which showe
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