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is the only apology given by Moore and Murray for this poem, which gentle Thomas Moore admits was not in quite as generous a strain as the 'Fare thee well.' But Lord Byron knew perfectly well, when he suffered that application to be made, that Lady Byron had been entirely convinced that her marriage relations with him could never be renewed, and that duty both to man and God required her to separate from him. The allowing the negotiation was, therefore, an artifice to place his wife before the public in the attitude of a hard-hearted, inflexible woman; her refusal was what he knew beforehand must inevitably be the result, and merely gave him capital in the sympathy of his friends, by which they should be brought to tolerate and accept the bitter accusations of this poem. We have recently heard it asserted that this last-named piece of poetry was the sudden offspring of a fit of ill-temper, and was never intended to be published at all. There were certainly excellent reasons why his friends should have advised him not to publish it _at that time_. But that it was read with sympathy by the circle of his intimate friends, and believed by them, is evident from the frequency with which allusions to it occur in his confidential letters to them. {21} About three months after, under date March 10, 1817, he writes to Moore: 'I suppose now I shall never be able to shake off my sables in public imagination, more particularly since my moral ----- clove down my fame.' Again to Murray in 1819, three years after, he says: 'I never hear anything of Ada, the little Electra of Mycenae.' Electra was the daughter of Clytemnestra, in the Greek poem, who lived to condemn her wicked mother, and to call on her brother to avenge the father. There was in this mention of Electra more than meets the ear. Many passages in Lord Byron's poetry show that he intended to make this daughter a future partisan against her mother, and explain the awful words he is stated in Lady Anne Barnard's diary to have used when first he looked on his little girl,--'What an instrument of torture I have gained in you!' In a letter to Lord Blessington, April 6, 1823, he says, speaking of Dr. Parr:-- {22a} 'He did me the honour once to be a patron of mine, though a great friend of the _other branch of the house of Atreus_, and the Greek teacher, I believe, of my _moral_ Clytemnestra. I say _moral_ because it is true, and is so useful to the v
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