man waltz is nothing to it.
The worthy alchymist saw nothing of all this. His mind could admit of
no idea that was not connected with the discovery of the grand
arcanum, and he supposed his youthful coadjutor equally devoted. He
was a mere child as to human nature; and, as to the passion of love,
whatever he might once have felt of it, he had long since forgotten
that there was such an idle passion in existence. But, while he
dreamed, the silent amour went on. The very quiet and seclusion of the
place were favourable to the growth of romantic passion. The opening
bud of love was able to put forth leaf by leaf, without an adverse
wind to check its growth. There was neither officious friendship to
chill by its advice, nor insidious envy to wither by its sneers, nor
an observing world to look on and stare it out of countenance. There
was neither declaration, nor vow, nor any other form of Cupid's
canting school. Their hearts mingled together, and understood each
other without the aid of language. They lapsed into the full current
of affection, unconscious of its depth, and thoughtless of the rocks
that might lurk beneath its surface. Happy lovers! who wanted nothing
to make their felicity complete, but the discovery of the
philosopher's stone!
At length, Antonio's health was sufficiently restored to enable him to
return to his lodgings in Granada. He felt uneasy, however, at leaving
the tower, while lurking danger might surround its almost defenceless
inmates. He dreaded lest Don Ambrosio, recovered from his wounds,
might plot some new attempt, by secret art, or open violence. From all
that he had heard, he knew him to be too implacable to suffer his
defeat to pass unavenged, and too rash and fearless, when his arts
were unavailing, to stop at any daring deed in the accomplishment of
his purposes. He urged his apprehensions to the alchymist and his
daughter, and proposed that they should abandon the dangerous vicinity
of Granada.
"I have relations," said he, "in Valentia, poor indeed, but worthy and
affectionate. Among them you will find friendship and quiet, and we
may there pursue our labours unmolested." He went on to paint the
beauties and delights of Valentia, with all the fondness of a native,
and all the eloquence with which a lover paints the fields and groves
which he is picturing as the future scenes of his happiness. His
eloquence, backed by the apprehensions of Inez, was successful with
the alchymist, wh
|