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The Project Gutenberg EBook of The Mirror of Literature, Amusement, and Instruction, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Mirror of Literature, Amusement, and Instruction Volume 13, No. 356, Saturday, February 14, 1829 Author: Various Release Date: May 30, 2004 [EBook #12477] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MIRROR OF LITERATURE, NO. 356 *** Produced by Jonathan Ingram, David Garcia and the Online Distributed Proofreading Team. THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION. * * * * * VOL. XIII, NO. 356.] SATURDAY, FEBRUARY 14, 1829. [PRICE 2d. * * * * * Interior of the Colosseum. [Illustration: Interior of the Colosseum.] _References to the Engraving._ A. Column or Tower in the centre of the building, for supporting the Ascending Room, &c. B. Entrance to the Ascending-Room. C. Saloon for the reception of works of art. D. Passage lending to the Saloon, Galleries, and Ascending-Room. E. F. Two separate Spiral Flights of Steps, leading to the Galleries, &c. G. H. I. Galleries from which the Picture is to be viewed. K. Refreshment-Room. L. Rooms for Music or Bells. M. The Old Ball from St. Paul's Cathedral. N. Stairs leading to the outside of the Building. _a. b._ Sky-lights. _c._ Plaster Dome, on which the sky is painted, _d._ Canvass on which the part of the picture up to the horizon is painted. _e._ Gallery, suspended by ropes, used for painting the distance, and uniting the plaster and the canvas. _f._ Temporary Bridge from the Gallery G to the Gallery _e._ from the end of which the echo of the building might be heard to the greatest advantage. _g._ One of Fifteen Triangular Platforms, used for painting the sky. _h._ Platforms fixed on the ropes of the Gallery _e_, used for finishing and clouding the sky. _k._ Different methods for getting at the lower parts of the canvas. _l._ Baskets for conveying colours. &c. to the artists, _m._ Cross or Shears, formed of two poles, from which a cradle or box is suspended, for finishing the picture after the removal of all the sc
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