FREE BOOKS

Author's List




PREV.   NEXT  
|<   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149  
150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   >>   >|  
ented _piazza_, traverse the city. The Toledo, or Via Cassaro,--for it bears both these designations,--runs from the sea to the Monreale gate, close to which is the Royal Palace, and the Cathedral square opens from this street. The Via Macqueda contains few buildings of interest except the University. Between the wall and the sea runs the magnificent Marina, a more beautiful promenade than even the Villa Reale of Naples, having on the right the low but picturesque headland of Bagaria, while on the left rise the all but perpendicular rocks of Monte Pellegrino, once the impregnable mountain-throne of Hamilcar Barcas, and later the spot where in a rude cavern, now sheeted with marble and jasper, "from all the youth of Sicily, Saint Rosalie retired to God." The handicraftsmen of Palermo still occupy almost exclusively the streets named after their trades,--an indication of immobility rarely to be met with nowadays, though Rome displays it in a minor degree. We first visited the University Museum. Numerous pictures, far beyond the ordinary degree of badness, occupy the upper rooms, where the only object of interest is a very fine and well-preserved bronze of Hercules and the Pompeian Fawn, half life-size. But far beyond all else in artistic importance are the _metopes_ from Selinuntium, which, though much damaged, show marks of high excellence. They are of clearly different dates, though all very archaic. The oldest represent Perseus cutting off the Gorgon's head, and Hercules killing two thieves. Perseus has the calm, sleepy look of a Hindoo god,--while Gorgon's head, with goggle eyes and protruding tongue, resembles a Mexican idol. Hercules and the thieves have more of an Egyptian character. The material of these bas-reliefs is coarse limestone; and in the _metopes_ on the opposite wall, which are clearly of later date, recourse has been had to a curious method of obtaining delicacy in the female forms: the faces, hands, and feet, which alone are visible from among the drapery, are formed of fine marble. An Actaeon torn by his dogs is much corroded by sea air, but displays great nobleness of attitude. The vigor in the left arm, which has throttled one of the dogs, can hardly be surpassed. A portion of the _cella_, of one of the temples has been removed hither, and its brilliant polychromy is sufficient to decide the argument as to the existence of the practice, if, indeed, that point be yet in doubt. But it seems that the
PREV.   NEXT  
|<   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149  
150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   >>   >|  



Top keywords:

Hercules

 

displays

 

occupy

 

marble

 

degree

 

thieves

 

Gorgon

 

metopes

 
Perseus
 

interest


University
 

Egyptian

 

material

 
protruding
 

character

 
tongue
 
resembles
 

Mexican

 

coarse

 

curious


method

 

obtaining

 
delicacy
 

Toledo

 
recourse
 

limestone

 

opposite

 

reliefs

 
Hindoo
 

oldest


represent

 

cutting

 

archaic

 

excellence

 

sleepy

 

female

 

Cassaro

 

killing

 
goggle
 
brilliant

polychromy

 

sufficient

 

removed

 

temples

 

surpassed

 

portion

 

decide

 

argument

 

existence

 

practice