ce with Octavian, he nursed his morbid grief in un-Roman
self-pity, this first poet of the _poitrinaire_ school. His subsequent
career was meteoric. Octavian, fascinated by a brilliancy that hid a
lack of Roman steadiness, placed him in charge of the stupendous task
of organizing Egypt, a work that would tax the powers of a Caesar. The
romantic poet lost his head. Wine-inspired orations that delighted his
guests, portrait busts of himself in every town, grotesque catalogues of
campaigns against unheard-of negro tribes inscribed even on the venerable
pyramids did not accord with the traditions of Rome. Octavian cut his
career short, and in deep chagrin Gallus committed suicide.

The tenth _Eclogue_[6] gives Vergil's impressions upon reading one of the
elegies of Gallus which had apparently been written at some lonely army
post in Greece after the news of Cytheris' desertion. In his elegy the
poet had, it would seem, bemoaned the lot that had drawn him to the East
away from his beloved.

"Would that he might have been a simple shepherd like the Greeks about
his tent, for their loves remained true!" And this is of course the very
theme which Vergil dramatizes in pastoral form.

[Footnote 6: This is the interpretation of Leo, _Hermes_, 1902, p. 15.]

We, like Vergil, realize that Gallus invented a new genre in literature.
He had daringly brought the grief of wounded love out of the realm of
fiction--where classic tradition had insisted upon keeping it--into the
immediate and personal song. The hint for this procedure had, of course,
come from Catullus, but it was Gallus whom succeeding elegists all
accredited with the discovery. Vergil at once felt the compelling force
of this adventuresome experiment. He gave it immediate recognition in his
_Eclogues_, and Tibullus, Propertius, and Ovid became his followers.

The poems of Gallus, if the Arcadian setting is real, were probably
written soon after Philippi. Vergil's _Eclogue_ of recognition may have
been composed not much later, for we have a right to assume that Vergil
would have had one of the first copies of Gallus' poems. If this be true,
the first and last few lines were fitted on later, when the whole book
was published, to adapt the poem for its honorable position at the close
of the volume.

XI

THE EVICTIONS

The first and ninth _Eclogues_, and only these, concern the confiscations
of land at Cremona and Mantua which threatened to deprive Vergil's fat