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an should be standing or sitting, until it stood all finished, he thought and worked a long, long time. His work is almost perfect, and fine work always takes time and patience. When busy on the Gould Shaw monument, St. Gaudens often stood on a scaffolding ten hours at a time in the hottest summer days, not eating anything but an apple. He was so eager over his work that he did not want to lose a minute. But he had some fun as well. The horse he used as a model used to get terribly tired of standing so long and would snort and prance and paw the ground until it took several men to hold him. And some of the negroes who posed nearly fainted when they saw St. Gaudens make faces that looked exactly like them with just a few pinches of his fingers on the soft clay. They thought he was in league with Satan, they said. When you see this monument, you will notice how brave Colonel Shaw looks, riding on his large horse, and how eagerly the colored troops march behind him. St. Gaudens was very fond of Phillips Brooks, the good Bishop, and because of their friendship, his statue of Brooks at Trinity Church, Boston, is so like the man that you almost expect to hear him speak, as you stand before it. St. Gaudens had been to concerts with Bishop Brooks, had heard him preach, had seen him merry and sad, knew how unselfish he was, and how much he liked to cheer people up, and somehow managed to make his statue tell us all these traits. There is no doubt St. Gaudens was one of the world's great sculptors, but he would never have been great if he had not loved his art so well that he could go hungry, cold, and tired year after year for the sake of learning it. And he was great because he was so determined to do his work over and over again until he felt it was just right. He always urged students to do the same. "You can do anything you please," he often said; "it's the _way_ it's done that makes the difference." Besides becoming famous, the shoemaker's son was happy and rich in the end. He had a wife and a son who, among other books, has written a life of his father. From this book and by the stories St. Gaudens's friends tell of him, we know that the sculptor was a gentle, loving man who tried to help the world to be better and wiser. It will not matter whether it is the statue of Sherman, Logan, Lincoln, or Shaw by St. Gaudens that you are fortunate enough to see; it will be the way any piece of his is done which makes it so beau
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