im harm. He could not have sung a false note if he had
tried; discord really pained him.
"Wal, we may's well begin," he said when he had thoroughly warmed his
hands. "What ye got for singin' books here? Dulcimers, or Harps of
Judah? All with Harps raise yer right hands. So. Now all with Dulcimers,
left hands. So. Harps have it. Them with Dulcimers better get Harps, if
ye can, 'cause we want to sing together. But to-night we'll try voices.
I wouldn't wonder if there might be some of ye who might just as well go
home and shell corn as try to sing." And he laughed. "So in the first
place we'll see if you can sing, and then what part you can sing,
whether it's tribble, or counter, or bass, or tenor. The best way for us
to find out is to have you sing the scale--the notes of music. Now these
are the notes of music." And without recourse to tuning fork he sang:
"Do, re, mi, fa, sol, la, si, do."
The old schoolhouse seemed to swell to the mellow harmony from his big
throat. To me those eight notes, as Bear-Tone sang them, were a sudden
revelation of what music may be.
"I'll try you first, my boy," he then said, pointing to Newman Darnley,
a young fellow about twenty years old who sat at the end of the front
row of seats. "Step right out here."
Greatly embarrassed, Newman shambled forth and, turning, faced us.
"Now, sir," said the master, "catch the key-note from me. Do! Now
re--mi," and so forth.
Bear-Tone had great difficulty in getting Newman through the scale.
"'Fraid you never'll make a great singer, my boy," he said, "but you may
be able to grumble bass a little, if you prove to have an ear that can
follow. Next on that seat."
The pupil so designated was a Bagdad boy named Freeman Knights. He
hoarsely rattled off, "Do, re, mi, fa, sol," all on the same tone. When
Bear-Tone had spent some moments in trying to make him rise and fall on
the notes, he exclaimed:
"My dear boy, you may be able to drive oxen, but you'll never sing. It
wouldn't do you any good to stay here, and as the room is crowded the
best thing you can do is to run home."
Opening the door, he gave Freeman a friendly pat on the shoulder and a
push into better air outside.
Afterwards came Freeman's sister, Nellie Knights; she could discern no
difference between do and la--at which Bear-Tone heaved a sigh.
"Wai, sis, you'll be able to call chickens, I guess, because that's all
on one note, but 'twouldn't be worth while for you to try to
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