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ed; it goes, and cannot be stopped. But alas, the world thinks that to nourish the physical frame is enough to preserve life. Although not enough, it must still be done; this cannot be neglected. For if one is to neglect the physical frame, better far to retire at once from the world, since by renouncing the world one gets rid of the cares of the world. There is, however, the vitality which informs the physical frame; that must be equally an object of incessant care. Then he whose physical frame is perfect and whose vitality remains in its original purity--he is one with God. Man passes through this sublunary life as a sunbeam passes through a crack; here one moment, and gone the next. Neither are there any not equally subject to the ingress and egress of mortality. One modification brings life; then comes another, and there is death. Living creatures cry out; human beings feel sorrow. The bow-case is slipped off; the clothes'-bag is dropped; and in the confusion the soul wings its flight, and the body follows, on the great journey home. Attention has already been drawn to this necessary cultivation of the physical frame, and Chuan Tzu gives an instance of the extent to which it was carried. There was a certain man whose nose was covered with a very hard scab, which was at the same time no thicker than a fly's wing. He sent for a stonemason to chip it off; and the latter plied his adze with great dexterity while the patient sat absolutely rigid, without moving a muscle, and let him chip. When the scab was all off, the nose was found to be quite uninjured. Such skill was of course soon noised abroad, and a feudal prince, who also had a scab on his nose, sent for the mason to take it off. The mason, however, declined to try, alleging that the success did not depend so much upon the skill of the operator as upon the mental control of the patient by which the physical frame became as it were a perfectly inanimate object. Contemporary with Chuang Tzu, but of a very different school of thought, was the philosopher Hui Tzu (_Hooeydza_). He was particularly fond of the quibbles which so delighted the sophists or unsound reasoners of ancient Greece. Chuang Tzu admits that he was a man of many ideas, and that his works would fill five carts--this, it must be remembered, because they were written on slips of wood tied together by a string run through eyelets. But he adds that Hui Tzu's doctrines are paradoxical, and his terms u
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