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was bad, but I could read it with fair ease. When, in addition to this infernal leak, the wires north to Cleveland worked badly, it required a large amount of imagination to get the sense of what was being sent. An imagination requires an appreciable time for its exercise, and as the stuff was coming at the rate of thirty-five to forty words a minute, it was very difficult to write down what was coming and imagine what wasn't coming. Hence it was necessary to become a very rapid writer, so I started to find the fastest style. I found that the vertical style, with each letter separate and without any flourishes, was the most rapid, and that the smaller the letter the greater the rapidity. As I took on an average from eight to fifteen columns of news report every day, it did not take long to perfect this method." Mr. Edison has adhered to this characteristic style of penmanship down to the present time. As a matter of fact, the conditions at Louisville at that time were not much better than they had been at Memphis. The telegraph operating-room was in a deplorable condition. It was on the second story of a dilapidated building on the principal street of the city, with the battery-room in the rear; behind which was the office of the agent of the Associated Press. The plastering was about one-third gone from the ceiling. A small stove, used occasionally in the winter, was connected to the chimney by a tortuous pipe. The office was never cleaned. The switchboard for manipulating the wires was about thirty-four inches square. The brass connections on it were black with age and with the arcing effects of lightning, which, to young Edison, seemed particularly partial to Louisville. "It would strike on the wires," he says, "with an explosion like a cannon-shot, making that office no place for an operator with heart-disease." Around the dingy walls were a dozen tables, the ends next to the wall. They were about the size of those seen in old-fashioned country hotels for holding the wash-bowl and pitcher. The copper wires connecting the instruments to the switchboard were small, crystallized, and rotten. The battery-room was filled with old record-books and message bundles, and one hundred cells of nitric-acid battery, arranged on a stand in the centre of the room. This stand, as well as the floor, was almost eaten through by the destructive action of the powerful acid. Grim and uncompromising as the description reads, it was typ
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