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led in luminous mist. He moved with the confident step of a sleep-walker. Without being really conscious that he was on a path which he had not traversed for five-and-twenty years, he found the way through tortuous alleys, between dark houses, and over narrow bridges. At length he reached the dilapidated inn, and had to knock repeatedly before the door was opened to him with a slow unfriendliness. When, a few minutes later, having but half undressed, he threw himself upon his uneasy pallet, he was overwhelmed with a weariness amounting to pain, while upon his lips was a bitter after-taste which seemed to permeate his whole being. Thus, at the close of his long exile, did he first woo sleep in the city to which he had so eagerly desired to return. And here, when morning was about to break, the heavy and dreamless sleep of exhaustion came to console the aging adventurer. THE END POSTFACE It is a historical fact that Casanova visited Voltaire at Ferney. There is, however, no historical warrant for the account of the matter given in the foregoing novel, and still less for the statement that Casanova wrote a polemic against Voltaire. It is a historical fact, likewise, that Casanova, when between fifty and sixty years of age, found it necessary to enter Venetian service as a spy. Of this, and of many other doings of the celebrated adventurer to which casual allusion is made in the course of the novel, fuller and more accurate accounts will be found in Casanova's _Memoirs_. Speaking generally, nevertheless, _Casanova's Homecoming_ is to be regarded throughout as a work of fiction. A. S. End of Project Gutenberg's Casanova's Homecoming, by Arthur Schnitzler *** END OF THIS PROJECT GUTENBERG EBOOK CASANOVA'S HOMECOMING *** ***** This file should be named 9310.txt or 9310.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/9/3/1/9310/ Produced by Juliet Sutherland, David Widger and PG Distributed Proofreaders Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copyi
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