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dedicated to Sr. Dn. Juan Clemente Zenea, editor of _La Charanga_, Havana. Our authoress says in her dedication: 'It is to you, therefore; and those who like you have deeply felt, that the history of a woman's soul-life will prove more interesting than the mere narrative of the chances and occurrences that make up the every-day natural existence.' Naomi is a woman of artistic genius and passionate character, becalmed in the stagnation of conventional life, who, throwing off the fetters of an uncongenial and inconsiderate marriage, attempts to find happiness and independence in the cultivation of her own powers. She is eminently successful as prima donna, is brilliant and self-sustained--but fails to attain the imagined happiness, the Love-Eden so fervently sought. MARGARET AND HER BRIDESMAIDS. By the Author of 'The Queen of the Country,' 'The Challenge,' etc. 'Queen Rose of the Rosebud garden of girls.'--_Tennyson_. Loring, publisher, 314 Washington street, Boston. 1864. A novel of domestic life, in which the plot, apparently simple, is yet artistic and skilfully managed. The thread of life of the bridesmaids is held with that of the bride, the development of character, distinctly marked in each, progresses through a series of natural events, until the young people reach the point of life when impulse settles into principle, amiability into virtue, generosity into self-abnegation, and we feel that each may now be safely left to life as it is, that circumstance can no longer mould character, and are willing to leave them, certain they will henceforth remain true to themselves, and to those whose happiness may depend upon them, whatever else may betide. The bride is a pure, sweet, generous woman, but the character of the book is decidedly Lotty. Childish, petite, and indulged, she is yet magnanimous, brave, and self-sacrificing; fiery, fearless, and frank, she is still patient, forbearing, and reticent; we love her as child, while we soon learn to venerate her as woman. She and her docile bloodhound, Bear, form pictures full of magic contrast, groups of which we never tire. The cordiality and heartiness of her admiring relatives, the Beauvilliers, are contagious; we live for the time in their life, and grow stronger as we read. The book is charming. Its moral is unexceptionable, its characters well drawn, its plot and incidents simple and natural, and its interest sustained from beginning to end.
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