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ons about his new sitter. The work went well but slowly, for Cora sat only twice a week. She felt obliged to devote the rest of her time to study, as she was living on the prize fund, and she even had qualms of conscience about the two afternoons she gave up to the sittings. During all this time Miss Snell continued to weave chapters of romance about Cora and the Painter, and the girls talked things over after each sitting when they were alone together. Spring had appeared very early in the year, and the public gardens and boulevards were richly green. Chestnut-trees blossomed and gaudy flower-beds bloomed in every square. The Salons opened, and were thronged with an enthusiastic public, although the papers as usual denounced them as being the poorest exhibitions ever given. The Painter had sent nothing, being completely absorbed in finishing Cora's portrait, to the utter exclusion of everything else. Cora did the exhibitions faithfully. It was one of the duties she owed to the Lynxville fund, and which she diligently carried out. The Painter bothered and confused her by many things; he persistently admired all the pictures she liked least, and praised all those she did not care for. She turned pale with suppressed indignation when he differed from her opinion, and resented his sweeping contempt of her criticisms. On the strength of a remittance from the prize fund, and in honor of the season, she discarded the sailor hat for a vivid ready-made creation smacking strongly of the Bon Marche. The weather was warm, and Cora wore mitts, which the Painter thought unpardonable in a city where gloves are particularly cheap. The mitts were probably fashionable in Lynxville, Massachusetts. Miss Snell, who rustled about in stiff black silk and bugles, seemed quite oblivious to her friend's want of taste; she was all excitement, for her pastel portrait--by some hideous mistake--had been accepted and hung in one of the exhibitions, and the girls went together on varnishing-day to see it. There they met the Painter prowling aimlessly about, and Miss Snell was delighted to note his devotion to Cora. It was a strong proof of his attachment to her, she thought. The truth was he felt obliged to be civil after her kindness in posing. He wished he could repay her in some fashion, but since his first visit to Miss Snell's she had never offered to show him her work again, or asked his advice in any way, and he felt a delicacy abo
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