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abide, Nor Typhon huge ending in snaky twine: Our Babe, to shew his Godhead true, Can in his swaddling bands control the damned crew. So, when the sun in bed Curtain'd with cloudy red Pillows his chin upon an orient wave, The flocking shadows pale Troop to the infernal jail, Each fetter'd ghost slips to his several grave; And the yellow-skirted fays Fly after the night-steeds, leaving their moon-loved maze. But see, the Virgin blest Hath laid her Babe to rest; Time is, our tedious song should here have ending: Heavens youngest-teemed star, Hath fixed her polish'd car, Her sleeping Lord with hand-maid lamp attending: And all about the courtly stable Bright-harness'd angels sit in order serviceable. J. MILTON. 63. SONG FOR ST CECILIA'S DAY, 1687. From Harmony, from heavenly Harmony This universal frame began: When nature underneath a heap Of jarring atoms lay And could not heave her head, The tuneful voice was heard from high Arise, ye more than dead! Then cold, and hot, and moist, and dry In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man. What passion cannot Music raise and quell? When Jubal struck the chorded shell His listening brethren stood around, And, wondering, on their faces fell To worship that celestial sound. Less than a God they thought there could not dwell Within the hollow of that shell, That spoke so sweetly and so well. What passion cannot Music raise and quell? The trumpet's loud clangor Excites us to arms, With shrill notes of anger, And mortal alarms. The double double double beat Of the thundering drum Cries "Hark! the foes come; Charge, charge, 'tis too late to retreat!" The soft complaining flute In dying notes discovers The woes of hopeless lovers, Whose dirge is whisper'd by the warbling lute. Sharp violins proclaim Their jealous pangs and desperation, Fury, frantic indignation, Depth of pains, and height of passion
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