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trace three leading moods or tendencies:--the aspects of courtly or educated life represented by Pope and carried to exhaustion by his followers; the poetry of Nature and of Man, viewed through a cultivated, and at the same time an impassioned frame of mind by Collins and Gray:--lastly, the study of vivid and simple narrative, including natural description, begun by Gay and Thomson, pursued by Burns and others in the north, and established in England by Goldsmith, Percy, Crabbe, and Cowper. Great varieties in style accompanied these diversities in aim: poets could not always distinguish the manner suitable for subjects so far apart; and the union of the language of courtly and of common life, exhibited most conspicuously by Burns, has given a tone to the poetry of that century which is better explained by reference to its historical origin than by naming it, in the common criticism of our day, artificial. There is again, a nobleness of thought, a courageous aim at high and, in a strict sense manly, excellence in many of the writers:--nor can that period be justly termed tame and wanting in originality, which produced poems such as Pope's Satires, Gray's Odes and Elegy, the ballads of Gay and Carey, the songs of Burns and Cowper. In truth Poetry at this as at all times was a more or less unconscious mirror of the genius of the age; and the brave and admirable spirit of Enquiry which made the eighteenth century the turning-time in European civilisation is reflected faithfully in its verse. An intelligent reader will find the influence of Newton as markedly in the poems of Pope, as of Elizabeth in the plays of Shakespeare. On this great subject, however, these indications must here be sufficient. 117. ODE ON THE PLEASURE ARISING FROM VICISSITUDE. Now the golden Morn aloft Waves her dew-bespangled wing, With vermeil cheek and whisper soft She woos the tardy Spring: Till April starts, and calls around The sleeping fragrance from the ground, And lightly o'er the living scene Scatters his freshest, tenderest green. New-born flocks, in rustic dance, Frisking ply their feeble feet; Forgetful of their wintry trance The birds his presence greet: But chief, the sky-lark warbles high His trembling thrilling ecstasy; And lessening from the dazzled sight, Melts into air and liquid light. Yesterday the sullen year
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