_--an article of
more than forty pages, discussing the early history of Scotland and
the historians who have written upon it (_Quarterly_, July, 1829);
Tytler's _History of Scotland_--an article similar to that on Ritson's
book (_Quarterly_, November, 1829); Pitcairn's _Ancient Criminal
Trials_--a long article, which begins with an extended digression on
booksellers and collectors and on the Roxburghe and Bannatyne clubs
(_Quarterly_, February, 1831); Sibbald's _Chronicle of Scottish
Poetry_--merely a series of notes on special points (_Edinburgh
Review_, October, 1803); Southey's _Chronicle of the Cid_
(_Quarterly_, February, 1809). For the _Encyclopaedia Britannica_ Scott
wrote an essay on Chivalry, as well as the one on Romance to which
reference has been made.]

[Footnote 108: Review of _Kelly's Reminiscences and the Life of
Kemble_, _Quarterly Review_, June, 1826.]

[Footnote 109: _Lockhart_, Vol. II, p. 97.]

[Footnote 110: Terry had been educated as an architect, and his
knowledge and taste were of assistance to Scott in connection with the
building and furnishing of Abbotsford. After 1812 he played chiefly in
London. In 1816 his version of _Guy Mannering_, the first of his
adaptations from Scott, was presented. Before this he had taken the
part of Roderick Dhu in two dramatic versions of _The Lady of the
Lake_. In 1819 he was the first David Deans in his adaptation of _The
Heart of Midlothian_. Six years later he became manager of the Adelphi
theater, in association with F.H. Yates. At this time Scott became
Terry's security for L1280, a sum which he was afterward obliged to
pay with the addition of L500 for which the credit of James Ballantyne
was pledged. When financial embarrassment caused Terry to retire from
the management his mental and physical powers gave way, and he died of
paralysis in 1829. Terry admired Scott so much that he learned to
imitate his facial expression, his speech and his handwriting.]

[Footnote 111: _Lockhart_, Vol. I, p. 94.]

[Footnote 112: The phrase, which was a favorite one of Scott's, is
spoken not by Tony Lumpkin, but by one of his tavern companions.
Scott's use of it is an indication of the way in which he was familiar
with the drama. Very likely he never reread the play after his youth,
but his strong memory doubtless retained a pretty definite impression
of it.]

[Footnote 113: _Review of the L