FREE BOOKS

Author's List




PREV.   NEXT  
|<   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70  
71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   >>   >|  
aking its inspiration directly from nature it abounds in realistic metaphor and in picturesque and fantastic imagery. It must, of course, be admitted that there is a conventionality of nature as there is a conventionality of art, and that certain forms of utterance are apt to become stereotyped by too constant use; yet, on the whole, it is impossible not to recognise in the Folk- songs that the Countess Martinengo has brought together one strong dominant note of fervent and flawless sincerity. Indeed, it is only in the more terrible dramas of the Elizabethan age that we can find any parallel to the Corsican voceri with their shrill intensity of passion, their awful frenzies of grief and hate. And yet, ardent as the feeling is, the form is nearly always beautiful. Now and then, in the poems of the extreme South one meets with a curious crudity of realism, but, as a rule, the sense of beauty prevails. Some of the Folk-poems in this book have all the lightness and loveliness of lyrics, all of them have that sweet simplicity of pure song by which mirth finds its own melody and mourning its own music, and even where there are conceits of thought and expression they are conceits born of fancy not of affectation. Herrick himself might have envied that wonderful love-song of Provence: If thou wilt be the falling dew And fall on me alway, Then I will be the white, white rose On yonder thorny spray. If thou wilt be the white, white rose On yonder thorny spray, Then I will be the honey-bee And kiss thee all the day. If thou wilt be the honey-bee And kiss me all the day, Then I will be in yonder heaven The star of brightest ray. If thou wilt be in yonder heaven The star of brightest ray, Then I will be the dawn, and we Shall meet at break of day. How charming also is this lullaby by which the Corsican mother sings her babe to sleep! Gold and pearls my vessel lade, Silk and cloth the cargo be, All the sails are of brocade Coming from beyond the sea; And the helm of finest gold, Made a wonder to behold. Fast awhile in slumber lie; Sleep, my child, and hushaby. After you were born full soon, You were christened all aright; Godmother she was the moon, Godfather the sun so bright. All the stars in heaven told Wore their necklaces of gold. Fast awhile in slumber lie;
PREV.   NEXT  
|<   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70  
71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   >>   >|  



Top keywords:

yonder

 

heaven

 

brightest

 

thorny

 

Corsican

 

conventionality

 
conceits
 

nature

 

slumber

 

awhile


Herrick
 

falling

 

wonderful

 

Provence

 

envied

 

christened

 

aright

 

behold

 
hushaby
 

Godmother


necklaces

 
bright
 

Godfather

 

pearls

 

charming

 
lullaby
 

mother

 
vessel
 

finest

 

Coming


brocade

 

affectation

 

brought

 

strong

 

dominant

 

Martinengo

 

impossible

 
recognise
 

Countess

 

fervent


flawless
 
Elizabethan
 

dramas

 
terrible
 
sincerity
 
Indeed
 

picturesque

 

fantastic

 

imagery

 

metaphor