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in Mergentheim, I have no doubt he would have played to me hours; and the day, thus spent in the society of these two great artists, would have been transformed into a day of the highest bliss." Doubtless, Herr Junker, judging from the enthusiasm with which you have written, it would have been so; and for our sake, as well as your own, we heartily wish you had remained! Again in Bonn,--the young master's last year in his native city,--that _petite perle_. It was a fortunate circumstance for the development of a genius so powerful and original, that the place was not one of such importance as to call thither any composer or pianist of very great eminence,--such a one as would have ruled the musical sphere in which he moved, and become an object of imitation to the young student. Beethoven's instructors and the musical atmosphere in which he lived and wrought were fully able to ground him firmly in the laws and rules of the art, without restraining the natural bent of his genius. His taste for orchestral music, even, was developed in no particular school, formed upon no single model,--the Electoral band playing, with equal care and spirit, music from the presses of Vienna, Berlin, Munich, Mannheim, Paris, London. Mozart, however, was Beethoven's favorite, and his influence is unmistakably impressed upon many of the early compositions of his young admirer. But the youthful genius was fast becoming so superior to all around him, that a wider field was necessary for his full development. He needed the opportunity to measure his powers with those of the men who stood, by general consent, at the head of the art; he felt the necessity of instruction by teachers of a different and higher character, if any could be found. Mozart, it is true, had just passed away, but still Vienna remained the great metropolis of music; and thither his hopes and wishes turned. An interview with Haydn added strength to these hopes and wishes. This was upon Haydn's return, in the spring of 1792, after his first visit to London, where he had composed for and directed in the concerts of that Johann Peter Salomon in whose house Beethoven first saw the light. The veteran composer, on his way home, came to Bonn, and there accepted an invitation from the Electoral Orchestra to a breakfast in Godesberg. Here Beethoven was introduced to him, and placed before him a cantata which he had offered for performance at Mergentheim, the preceding autumn, but
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