nder the circumstances, folly heaped upon folly.
"The members of the Chapel, almost without exception, are in their best
years, glowing with health, men of culture and fine personal appearance.
They form truly a fine sight, when one adds the splendid uniform in
which the Elector has clothed them,--red, and richly trimmed with gold."
And now for the impression which Beethoven, just completing his
twenty-first year, made upon him.
"I heard also one of the greatest of pianists,--the dear, good
Beethoven, some compositions by whom appeared in the Spires 'Blumenlese'
in 1783, written in his eleventh year. True, he did not perform in
public, probably because the instrument here was not to his mind. It is
one of Spath's make, and at Bonn he plays upon one by Steiner. But, what
was infinitely preferable to me, I heard him extemporize in private;
yes, I was even invited to propose a theme for him to vary. The
greatness of this amiable, light-hearted man, as a virtuoso, may, in my
opinion, be safely estimated from his almost inexhaustible wealth of
ideas, the altogether characteristic style of expression in his playing,
and the great execution which he displays. I know, therefore, no one
thing which he lacks, that conduces to the greatness of an artist. I
have heard Vogler upon the piano-forte,--of his organ-playing I say
nothing, not having heard him upon that instrument,--have often heard
him, heard him by the hour together, and never failed to wonder at his
astonishing execution; but Beethoven, in addition to the execution, has
greater clearness and weight of idea, and more expression,--in short,
he is more for the heart,--equally great, therefore, as an adagio or
allegro player. Even the members of this remarkable orchestra are,
without exception, his admirers, and all ear whenever he plays. Yet
he is exceedingly modest and free from all pretension. He, however,
acknowledged to me, that, upon the journeys which the Elector had
enabled him to make, he had seldom found in the playing of the most
distinguished virtuosos that excellence which he supposed he had a right
to expect. His style of treating his instrument is so different from
that usually adopted, that it impresses one with the idea, that by a
path of his own discovery he has attained that height of excellence
whereon he now stands.
"Had I acceded to the pressing entreaties of my friend Beethoven, to
which Herr Winneberger added his own, and remained another day
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