I well remember writing "The Old Arm Chair" in a penny account book,
in the schoolroom of Cresswell Lodge, and that I was both surprised and
offended at the laughter of the kindly music-teacher who, coming into
the room to summon a pupil, and seeing me gravely occupied, enquired
what I was doing, and was intensely amused at my stolid method of
composition, plodding on undisturbed by the voices and occupations of
the older girls around me. "The Old Arm Chair" was certainly my first
serious, painstaking effort in fiction; but as it was abandoned
unfinished before my eleventh birthday, and as no line thereof ever
achieved the distinction of type, it can hardly rank as my first novel.

[Illustration: THE DRAWING-ROOM.]

There came a very few years later the sentimental period, in which my
unfinished novels assumed a more ambitious form, and were modelled
chiefly upon Jane Eyre, with occasional tentative imitations of
Thackeray. Stories of gentle hearts that loved in vain, always ending in
renunciation. One romance there was, I well remember, begun with
resolute purpose, after the first reading of Esmond, and in the
endeavour to give life and local colour to a story of the Restoration
period, a brilliantly wicked interval in the social history of England,
which, after the lapse of thirty years, I am still as bent upon taking
for the background of a love story as I was when I began "Master
Anthony's Record" in Esmondese, and made my girlish acquaintance with
the Reading-room of the British Museum, where I went in quest of local
colour, and where much kindness was shown to my youth and inexperience
of the book world. Poring over a folio edition of the State Trials at my
uncle's quiet rectory in sleepy Sandwich, I had discovered the
passionate romantic story of Lord Grey's elopement with his
sister-in-law, next in sequence to the trial of Lawrence Braddon and
Hugh Speke for conspiracy. At the risk of seeming disloyal to my own
race, I must add that it seemed to me a very tinpot order of plot to
which these two learned gentlemen bent their legal minds, and which cost
the Braddon family a heavy fine in land near Camelford--confiscation
which I have heard my father complain of as especially unfair--Lawrence
being a younger son. The romantic story of Lord Grey was to be the
subject of "Master Anthony's Record," but Master Anthony's sentimental
autobiography went the way of all my earlier efforts. It was but a year
or so after the