FREE BOOKS

Author's List




PREV.   NEXT  
|<   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191  
192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   >>   >|  
ah, in his Lectures on the History of Modern Music, 'the first Englishman to demonstrate the possibility of a national opera. No Englishman of the last century succeeded in following Purcell's lead into this domain of art; none, indeed, would seem to have understood in what his excellence consisted, or how his success was attained. His dramatic music exhibits the same qualities which had already made the success of Lulli. ... For some years after Purcell's death his compositions, of whatever kind, were the chief, if not the only, music heard in England. His reign might have lasted longer, but for the advent of a musician who, though not perhaps more highly gifted, had enjoyed immeasurably greater opportunities of cultivating his gifts,' Handel, who had also the advantage of being born thirty years later.] [Footnote 4: John Baptist Lulli, a Florentine, died in 1687, aged 53. In his youth he was an under-scullion in the kitchen of Madame de Montpensier, niece to Louis XIV. The discovery of his musical genius led to his becoming the King's Superintendent of Music, and one of the most influential composers that has ever lived. He composed the occasional music for Moliere's comedies, besides about twenty lyric tragedies; which succeeded beyond all others in France, not only because of his dramatic genius, which enabled him to give to the persons of these operas a musical language fitted to their characters and expressive of the situations in which they were placed; but also, says Mr. Hullah, because 'Lulli being the first modern composer who caught the French ear, was the means, to a great extent, of forming the modern French taste.' His operas kept the stage for more than a century.] [Footnote 5: that he] [Footnote 6: not] * * * * * No. 30. [1] Wednesday, April 4, 1711. Steele. 'Si, Mimnermus uti censet, sine amore Focisque Nil est Jucundum; vivas in amore Jocisque.' Hor. One common Calamity makes Men extremely affect each other, tho' they differ in every other Particular. The Passion of Love is the most general Concern among Men; and I am glad to hear by my last Advices from _Oxford_, that there are a Set of Sighers in that University, who have erected themselves into a Society in honour of that tender Passion. These Gentlemen are of that Sort of Inamoratos, who are not so ver
PREV.   NEXT  
|<   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191  
192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   >>   >|  



Top keywords:

Footnote

 

dramatic

 

genius

 
French
 
modern
 

Passion

 

operas

 
musical
 

century

 

succeeded


Purcell

 

success

 

Englishman

 
extent
 

forming

 

Mimnermus

 

censet

 
Modern
 

Steele

 
Wednesday

demonstrate

 
language
 

fitted

 

persons

 
France
 

possibility

 

enabled

 

characters

 

Hullah

 

composer


caught

 

expressive

 

situations

 

Oxford

 
Advices
 

Sighers

 
University
 
Gentlemen
 
Inamoratos
 

tender


erected

 

Society

 

honour

 
common
 

Calamity

 

History

 

Jocisque

 
Jucundum
 

extremely

 
affect