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uggles of the powers within to assert and express themselves. It had so happened that I had never seen her at work before. It was only recently that she had been allowed to give up set studies for her own creative fancy. For years she had been employed in acquiring the technique of her art; and even beside these considerations, I had not been with her in her moments of most tense application, and I should not have been with her now but that I was needed as a tool in the work. And as I saw her at this moment, filled with mental energy and dominated by the pleasure of mental labour, a quick sympathetic elation came over me, almost immediately after to be replaced by simple fear. "I am afraid you have overtaxed yourself rather," I said, in conventional phrase; "I'm afraid you're in pain." "Oh, that's nothing! Come and tell me what you think!" she said, extending her hand, but not taking her eyes from the drawing. "This is only the first study, of course. But tell me, have I got a sufficiently--well--expectant--rapt expression? I am not quite sure." I saw she was too utterly preoccupied to attend to anything I said of herself then, so I did not insist farther, and went up to the easel. I was not an artist nor a critic, nor in any way qualified to be a judge of painting as painting; but of genius, who is not a judge? In any art it is recognisable, patent, obvious to all. There is no human clod, no boor who is utterly insensible to its influence. It needs no education to perceive its presence, though the ignorant could not tell you what that presence was. Genius is as the sun itself: as universally perceptible. Even the rustic clown feels the sun hot upon his face. Ask him what sun is, and he cannot say, but he feels the difference between sun and no sun. And the power in this rough drawing beat in upon my perceptions as the sun beats on the labourer's face. "I think it's a triumph," I answered. "You have caught a most startling look of concentration." "I am so glad!" she said, lightly. The strain was over, and she was descending into ordinary mundane life again, but the hand she had put on my arm chilled through the shirt sleeve like ice. "Do you recognise yourself?" "Ye--es," I said, slowly; "except for that very glorified nose you've given me!" She laughed, and moved the paper off the easel. "Now I just want to give you an idea of how the tamarisk will be swayed," she said, holding a crayon between h
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