nd Dryden, and the classics were
pursued in the spirit of Oxford and Cambridge in the time of Johnson. It
was little disturbed by the intellectual and ethical agitation of modern
England or of modern New England. During this period, while the South
excelled in the production of statesmen, orators, trained politicians,
great judges, and brilliant lawyers, it produced almost no literature,
that is, no indigenous literature, except a few poems and--a few humorous
character-sketches; its general writing was ornately classic, and its
fiction romantic on the lines of the foreign romances.

From this isolation one thing was developed, and another thing might in
due time be expected. The thing developed was a social life, in the
favored class, which has an almost unique charm, a power of being
agreeable, a sympathetic cordiality, an impulsive warmth, a frankness in
the expression of emotion, and that delightful quality of manner which
puts the world at ease and makes life pleasant. The Southerners are no
more sincere than the Northerners, but they have less reserve, and in the
social traits that charm all who come in contact with them, they have an
element of immense value in the variety of American life.

The thing that might have been expected in due time, and when the call
came--and it is curious to note that the call and cause of any
renaissance are always from the outside--was a literary expression fresh
and indigenous. This expectation, in a brief period since the war, has
been realized by a remarkable performance and is now stimulated by a
remarkable promise. The acclaim with which the Southern literature has
been received is partly due to its novelty, the new life it exhibited,
but more to the recognition in it of a fresh flavor, a literary quality
distinctly original and of permanent importance. This production, the
first fruits of which are so engaging in quality, cannot grow and broaden
into a stable, varied literature without scholarship and hard work, and
without a sympathetic local audience. But the momentary concern is that
it should develop on its own lines and in its own spirit, and not under
the influence of London or Boston or New York. I do not mean by this that
it should continue to attract attention by peculiarities of dialect-which
is only an incidental, temporary phenomenon, that speedily becomes
wearisome, whether "cracker" or negro or Yankee--but by being true to the
essential spirit and temperament of