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e middle of the dance, than I was at what the King said to me." [Bielfeld, i. 167, 168.] Next morning, I-- The fact is, next morning, Truchsess and I began preparation for the Court of London,--and we did there, for many months afterwards, strive our best to keep the Britannic Majesty in some kind of tune, amid the prevailing discord of events;--fact interesting to some. And the other fact, interesting to everybody, though Bielfeld has not mentioned it, is, That King Friedrich, the same next morning, punctually "at the stroke of 9," rolled away Frankfurt-ward,--into the First Silesian War! Tuesday, "13th December, this morning, the King, privately quitting the Ball, has gone [after some little snatch of sleep, we will hope] for Frankfurt, to put himself at the head of his Troops." [Dickens (in State-Paper Office), 13th December, 1740; see also _Helden-Geschichte,_ i. 452; &c. &c.] Bellona his companion for long years henceforth, instead of Minerva and the Muses, as he had been anticipating. Hereby is like to be fulfilled (except that Friedrich himself is perhaps this "little stone") what Friedrich prophesied to his Voltaire, the day after hearing of the Kaiser's death: "I believe there will, by June next, be more talk of cannon, soldiers, trenches, than of actresses, and dancers for the ballet. This small Event changes the entire system of Europe. It is the little stone which Nebuchadnezzar saw, in his dream, loosening itself, and rolling down on the Image made of Four Metals, which it shivers to ruin." [Friedrich to Voltaire, busy gathering actors at that time, 26th October, 1740 (_OEuvres de Frederic,_ xxii. 49).] End of the Project Gutenberg EBook of History of Friedrich II. of Prussia, Vol. XI. (of XXI.), by Thomas Carlyle *** END OF THIS PROJECT GUTENBERG EBOOK HISTORY OF FRIEDRICH II. *** ***** This file should be named 2111.txt or 2111.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/1/2111/ Produced by D.R. Thompson Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, appl
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