you to deal with. Why don't
you tremble?"

"I'm not cold."

"Why don't you turn pale?"

"I am not sick."

"Why don't you consult my art?"

"I'm not silly."

The old crone "nichered" a laugh under her bonnet and bandage; she then
drew out a short black pipe, and lighting it began to smoke. Having
indulged a while in this sedative, she raised her bent body, took the
pipe from her lips, and while gazing steadily at the fire, said very
deliberately--"You are cold; you are sick; and you are silly."

"Prove it," I rejoined.

"I will, in few words. You are cold, because you are alone: no contact
strikes the fire from you that is in you. You are sick; because the best
of feelings, the highest and the sweetest given to man, keeps far away
from you. You are silly, because, suffer as you may, you will not beckon
it to approach, nor will you stir one step to meet it where it waits
you."

She again put her short black pipe to her lips, and renewed her smoking
with vigour.

"You might say all that to almost any one who you knew lived as a
solitary dependent in a great house."

"I might say it to almost any one: but would it be true of almost any
one?"

"In my circumstances."

"Yes; just so, in _your_ circumstances: but find me another precisely
placed as you are."

"It would be easy to find you thousands."

"You could scarcely find me one. If you knew it, you are peculiarly
situated: very near happiness; yes, within reach of it. The materials
are all prepared; there only wants a movement to combine them. Chance
laid them somewhat apart; let them be once approached and bliss results."

"I don't understand enigmas. I never could guess a riddle in my life."

"If you wish me to speak more plainly, show me your palm."

"And I must cross it with silver, I suppose?"

"To be sure."

I gave her a shilling: she put it into an old stocking-foot which she
took out of her pocket, and having tied it round and returned it, she
told me to hold out my hand. I did. She approached her face to the
palm, and pored over it without touching it.

"It is too fine," said she. "I can make nothing of such a hand as that;
almost without lines: besides, what is in a palm? Destiny is not written
there."

"I believe you," said I.

"No," she continued, "it is in the face: on the forehead, about the eyes,
in the lines of the mouth. Kneel, and lift up your head."

"Ah! now you are coming to reality," I said, as I obeyed