mined not to seem at a loss for occupation or
amusement: I had brought my drawing materials with me, and they served me
for both.

Provided with a case of pencils, and some sheets of paper, I used to take
a seat apart from them, near the window, and busy myself in sketching
fancy vignettes, representing any scene that happened momentarily to
shape itself in the ever-shifting kaleidoscope of imagination: a glimpse
of sea between two rocks; the rising moon, and a ship crossing its disk;
a group of reeds and water-flags, and a naiad's head, crowned with lotus-
flowers, rising out of them; an elf sitting in a hedge-sparrow's nest,
under a wreath of hawthorn-bloom.

One morning I fell to sketching a face: what sort of a face it was to be,
I did not care or know. I took a soft black pencil, gave it a broad
point, and worked away. Soon I had traced on the paper a broad and
prominent forehead and a square lower outline of visage: that contour
gave me pleasure; my fingers proceeded actively to fill it with features.
Strongly-marked horizontal eyebrows must be traced under that brow; then
followed, naturally, a well-defined nose, with a straight ridge and full
nostrils; then a flexible-looking mouth, by no means narrow; then a firm
chin, with a decided cleft down the middle of it: of course, some black
whiskers were wanted, and some jetty hair, tufted on the temples, and
waved above the forehead. Now for the eyes: I had left them to the last,
because they required the most careful working. I drew them large; I
shaped them well: the eyelashes I traced long and sombre; the irids
lustrous and large. "Good! but not quite the thing," I thought, as I
surveyed the effect: "they want more force and spirit;" and I wrought the
shades blacker, that the lights might flash more brilliantly--a happy
touch or two secured success. There, I had a friend's face under my
gaze; and what did it signify that those young ladies turned their backs
on me? I looked at it; I smiled at the speaking likeness: I was absorbed
and content.

"Is that a portrait of some one you know?" asked Eliza, who had
approached me unnoticed. I responded that it was merely a fancy head,
and hurried it beneath the other sheets. Of course, I lied: it was, in
fact, a very faithful representation of Mr. Rochester. But what was that
to her, or to any one but myself? Georgiana also advanced to look. The
other drawings pleased her much, but she called that "an ugly man