ces in fast motors, to kiss
girls, to sing, to be witty. He sought to regain his lost dignity by
announcing to Matilda:

"I'm going to stick this pitcher of cocktails in the refrigerator. Be
sure you don't upset any of 'em."

"Yeh."

"Well, be sure now. Don't go putting anything on this top shelf."

"Yeh."

"Well, be--" He was dizzy. His voice was thin and distant. "Whee!" With
enormous impressiveness he commanded, "Well, be sure now," and minced
into the safety of the living-room. He wondered whether he could
persuade "as slow a bunch as Myra and the Littlefields to go some place
aft' dinner and raise Cain and maybe dig up smore booze." He perceived
that he had gifts of profligacy which had been neglected.

By the time the guests had come, including the inevitable late couple
for whom the others waited with painful amiability, a great gray
emptiness had replaced the purple swirling in Babbitt's head, and he had
to force the tumultuous greetings suitable to a host on Floral Heights.

The guests were Howard Littlefield, the doctor of philosophy who
furnished publicity and comforting economics to the Street Traction
Company; Vergil Gunch, the coal-dealer, equally powerful in the Elks
and in the Boosters' Club; Eddie Swanson the agent for the Javelin Motor
Car, who lived across the street; and Orville Jones, owner of the Lily
White Laundry, which justly announced itself "the biggest, busiest,
bulliest cleanerie shoppe in Zenith." But, naturally, the most
distinguished of all was T. Cholmondeley Frink, who was not only the
author of "Poemulations," which, syndicated daily in sixty-seven leading
newspapers, gave him one of the largest audiences of any poet in the
world, but also an optimistic lecturer and the creator of "Ads that
Add." Despite the searching philosophy and high morality of his verses,
they were humorous and easily understood by any child of twelve; and it
added a neat air of pleasantry to them that they were set not as verse
but as prose. Mr. Frink was known from Coast to Coast as "Chum."

With them were six wives, more or less--it was hard to tell, so early in
the evening, as at first glance they all looked alike, and as they all
said, "Oh, ISN'T this nice!" in the same tone of determined liveliness.
To the eye, the men were less similar: Littlefield, a hedge-scholar,
tall and horse-faced; Chum Frink, a trifle of a man with soft and
mouse-like hair, advertising his profession as poet by a silk cord