FREE BOOKS

Author's List




PREV.   NEXT  
|<   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69  
70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   >>   >|  
ory of Costume in England, by the author of these notes, it has been remarked that the freedom and looseness, as well as ease and elegance of female costume at this period is to be attributed to the taste of Sir Peter Lely, rather than to that exhibited by the _Beauties_ of Charles's court. "It was to his taste, as it was to that of a later artist, Sir Joshua Reynolds, that we are indebted for the freedom which characterized their treatment of the rigid and somewhat ungraceful costumes before them." Walpole, in his "Anecdotes of Painting," says, "Lely supplied the want of taste with _clinquant_; his nymphs trail fringes, and embroidery, through meadows and purling streams. Vandyke's habits are those of the times; Lely's, a sort of fantastic night-gown fastened with a single pin." Lely's ladies are not unfrequently _en masque_, and are habited in the conventional dresses adopted for goddesses in the court of Versailles. [H] Nell appears to have first fixed the attention of the King by appearing at the King's Theatre in an Epilogue written for her by Dryden; who, taking a _pique_ at the rival theatre, when Nokes, the famous comedian, had appeared in a hat of large proportions, which mightily delighted the silly and volatile frequenters of the place, brought forward Nell in a hat as large as a coach-wheel, which gave her short figure so grotesque an air, that the very actors laughed outright and the whole theatre was in convulsions of merriment. His Majesty was nearly suffocated by the excess of his delight; and the _naive_ manner of the actress, her wit, archness, and beauty, received additional zest by the extravagance of "the broad-brimmed hat and waist-belt" in which Dryden had attired her, and which fixed her permanently in the memory of "the merry Monarch." [I] "Improvement" has extended far beyond Old Brompton. The little wooden house of the old rat-catcher has been swept away, and he is obliged to locate himself and his live stock in some back lane, where none but his friends can find him; and as he is disastrously poor, their number is very limited. [J] Then vicar of St. Martin's, and afterwards Archbishop of Canterbury. In that sermon he enlarged upon her benevolent qualities, her sincere penitence, and exemplary end. When, says Mrs. Jameson, this was afterwards mentioned to Queen Mary, in the hope that it would injure him in her estimation, and be a bar to his preferment, "And what then?" answered she, has
PREV.   NEXT  
|<   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69  
70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   >>   >|  



Top keywords:
theatre
 

Dryden

 

freedom

 

estimation

 
preferment
 

extravagance

 
brimmed
 

permanently

 
extended
 
Brompton

Improvement

 

memory

 

additional

 

injure

 

Monarch

 
attired
 
merriment
 

convulsions

 

Majesty

 
outright

actors

 

laughed

 

suffocated

 

excess

 

actress

 

archness

 

beauty

 

manner

 
delight
 
answered

received

 
Martin
 

Archbishop

 

mentioned

 

number

 

limited

 

Canterbury

 
Jameson
 

qualities

 
exemplary

sincere

 

benevolent

 

sermon

 
enlarged
 
disastrously
 

obliged

 

locate

 

catcher

 

wooden

 

penitence