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on its own account but to remain wide open, and see what Emerson sends it, grows first restive and then torpid. Admiration gives way to astonishment, astonishment to bewilderment, and bewilderment to stupefaction. 'Napoleon is not a man, but a system,' once said, in her most impressive tones, Madame de Stael to Sir James Mackintosh, across a dinner-table. 'Magnificent!' murmured Sir James. 'But what does she mean?' whispered one of those helplessly commonplace creatures who, like the present writer, go about spoiling everything. 'Mass! I cannot tell!' was the frank acknowledgment and apt Shakspearian quotation of Mackintosh. Emerson's meaning, owing to his non-sequacious style, is often very difficult to apprehend. Hear him for a moment on 'Experience': 'I gossip for my hour concerning the eternal politic. I have seen many fair pictures, not in vain. A wonderful time I have lived in. I am not the novice I was fourteen, nor yet seven years ago. Let who will ask, Where is the fruit? I find a private fruit sufficient. This is a fruit, that I should not ask for a rash effect from meditations, counsels, and the hiving of truths.' This surely is an odd way of hiving truths. It follows from it that Emerson is more striking than suggestive. He likes things on a large scale--he is fond of ethnical remarks and typical persons. Notwithstanding his habit of introducing the names of common things into his discourses and poetry ('Hay, corn, roots, hemp, flax, apples, wool, and wood,' is a line from one of his poems), his familiarity therewith is evidently not great. 'Take care, papa,' cried his little son, seeing him at work with his spade, 'you will dig your leg.' His essay on _Friendship_ will not be found satisfactory. Here is a subject on which surely we are entitled to 'body.' The _Over Soul_ was different; _there_ it was easy to agree with Carlyle, who, writing to Emerson, says: 'Those voices of yours which I likened to unembodied souls and censure sometimes for having no body--how _can_ they have a body? They are light rays darting upwards in the east!' But friendship is a word the very sight of which in print makes the heart warm. One remembers Elia: 'Oh! it is pleasant as it is rare to find the same arm linked in yours at forty which at thirteen helped it to turn over the Cicero _De Amicitia_, or some other tale of antique friendship which the young heart even then was burning to an
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