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py. That is his office. Let him discharge it. I recognise in this connection the corresponding truth of what Sydney Smith makes his Peter Plymley say about the private virtues of Mr. Perceval, the Prime Minister: 'You spend a great deal of ink about the character of the present Prime Minister. Grant all that you write--I say, I fear that he will ruin Ireland, and pursue a line of policy destructive to the true interests of his country; and then you tell me that he is faithful to Mrs. Perceval, and kind to the Master Percevals. I should prefer that he whipped his boys and saved his country.' We should never confuse functions or apply wrong tests. What can books do for us? Dr. Johnson, the least pedantic of men, put the whole matter into a nutshell (a cocoanut shell, if you will--Heaven forbid that I should seek to compress the great Doctor within any narrower limits than my metaphor requires!), when he wrote that a book should teach us either to enjoy life or endure it. 'Give us enjoyment!' 'Teach us endurance!' Hearken to the ceaseless demand and the perpetual prayer of an ever unsatisfied and always suffering humanity! How is a book to answer the ceaseless demand? Self-forgetfulness is of the essence of enjoyment, and the author who would confer pleasure must possess the art, or know the trick, of destroying for the time the reader's own personality. Undoubtedly the easiest way of doing this is by the creation of a host of rival personalities--hence the number and the popularity of novels. Whenever a novelist fails his book is said to flag; that is, the reader suddenly (as in skating) comes bump down upon his own personality, and curses the unskilful author. No lack of characters and continual motion is the easiest recipe for a novel, which, like a beggar, should always be kept 'moving on.' Nobody knew this better than Fielding, whose novels, like most good ones, are full of inns. When those who are addicted to what is called 'improving reading' inquire of you petulantly why you cannot find change of company and scene in books of travel, you should answer cautiously that when books of travel are full of inns, atmosphere, and motion, they are as good as any novel; nor is there any reason in the nature of things why they should not always be so, though experience proves the contrary. The truth or falsehood of a book is immaterial. George Borrow's _Bible in Spain_ is, I suppos
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