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re is an embryo artist in her class and what she ought to do in the face of that possibility. Again she wonders how geography, grammar, and spelling can be made to function in such a painting as Rosa Bonheur's "The Plough Oxen," and her wonder serves to invest these subjects with new meaning and power. =Shakespeare.=--In the school at Stratford they pointed out to her the desk at which Shakespeare sat as a lad, with all its boyish hieroglyphics, and her thought instinctively leaped across the years to "The Tempest," "King Lear," and "Hamlet." She pondered deeply the relation between the activities of the lad and the behavior of the man, wondering how much the school had to do with the plays that stand alone in literature, and whether he imbibed the power from associations, from books, from people, or from his ancestors. She wondered what magic ingredient had been dropped into the activities of his life that had proven the determining factor in the plays that set him apart among men. She realizes that his behavior was distinctive, and she fain would discover the talisman whose potent influence determined the bent and power of his mind. And she wonders, again, whether any pupil in her school may ever exemplify such behavior. =History.=--When she reads her history she has a keener, deeper, and wider interest than ever before, for she now realizes that every event of history is an effect, whose inciting causes lie back in the years, and is not fortuitous as she once imagined. She realizes that the historical event may have been the convergence of many lines of thinking emanating from widely divergent sources, and this conception serves to make her interest more acute. In thus reasoning from effect back to cause she gains the ability to reason from cause to effect and, therefore, her teaching of history becomes far more vital. She is studying the philosophy of history and not a mere catalogue of isolated and unrelated facts. History is a great web, and in the events she sees the pattern that minds have worked. She is more concerned now with the reactions of her pupils to this pattern than she is with mere names and dates, for these reactions give her a clew to tendencies on the part of her pupils that may lead to results of vast import. =Poetry.=--In every poem she reads she finds an illustration of mental and spiritual behavior, and she fain would find the key that will discover the mental operations that conditioned
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