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et on a boat in two or three days time. A week on the boat will give it a further rest. * * * * * AMARAH. _December 1, 1915._ TO HIS MOTHER. Sophy's death affects me more than any since Goppa's. She was the most intimate of all my aunts, as I have constant memories of her from the earliest times I can remember till she went to live at Oxford. I was always devoted to her, and she had an almost uncanny power of reading my thoughts. I don't feel there can have been a shade of bitterness in death for her, though she loved life; but there is something woefully pathetic in its circumstances, the pain, the loneliness, the misery of the war. I thought about her all yesterday. The sunset was the most wonderful I have seen out here, and it seemed to say that though God could be very terrible yet he was supremely tender and beautiful. How blank and futile a sunset would be to a consistent materialist, as A.J.B. points out in his lectures. The result of publishing what he called my "hymn" in the _Times_ of October 15th has been an application from an earnest Socialist for leave to print it on cards at 8_s._ 6_d._ a 1,000 to create a demand for an early peace! But I couldn't help focussing my thoughts of Sophy into these lines: Strong Son of God is Love; and she was strong, For she loved much, and served; Rejoiced in all things human, only wrong Drew scorn as it deserved. Fair gift of God is faith: 'twas hers, to move The mountains, and ascend The Paradise of saints: which faith and love Made even Death her friend. My leg is much better but will still keep me here some days, as I am not to go till fit to march. It is a great nuisance being unable to take exercise. I was in such splendid condition, and now I shall be quite soft again. However there are compensations. The others are only at Kut, which is as dull as this and much less comfortable; and they have only 60lb. kits, which means precious little. Swinburne I will begin when I feel stronger. The Golden Ass hasn't come. I ordered it years ago, before the war, to be sent on publication. It is a curious product of Latin decadence, about second century; the first notable departure from the classical style. The most celebrated thing in it is the story of Cupid and Psyche: didn't Correggio paint it round the walls of a palace in Rome? I went to see it with Sophy. * *
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