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, and all others too, of being jealous of artists and writers whose works they in any manner censure. * * * * * The FIFTEENTH DISCOURSE.--We come now to Sir Joshua's last Discourse, in which the President takes leave of the Academy, reviews his "Discourses," and concludes with recommending the study of Michael Angelo. Having gone along with the President of the Academy in the pursuit of the principles of the art in these Discourses, and felt a portion of the enthusiasm which he felt, and knew so well how to impart to others, we come to this last Discourse, with a melancholy knowledge that it was the last; and reflect with pain upon that cloud which so soon interposed between Reynolds and at least the practical enjoyment of his art. He takes leave of the Academy affectionately, and, like a truth-loving man to the last, acknowledges the little contentions (in so softening a manner does he speak of the "rough hostility of Barry," and "oppositions of Gainsborough") which "ought certainly," says he, "to be lost among ourselves in mutual esteem for talents and acquirements: every controversy ought to be--I am persuaded will be--sunk in our zeal for the perfection of our common art." "My age, and my infirmities still more than my age, make it probable that this will be the last time I shall have the honour of addressing you from this place." This last visit seemed to be threatened with a tragical end;--the circumstance showed the calm mind of the President; it was characteristic of the man who would die with dignity, and gracefully. A large assembly were present, of rank and importance, besides the students. The pressure was great--a beam in the floor gave way with a loud crash; a general rush was made to the door, all indiscriminately falling one over the other, except the President, who kept his seat "silent and unmoved." The floor only sunk a little, was soon supported, and Sir Joshua recommenced his Discourse. "Justum et tenacem propositi Impavidum ferient ruinae." He compliments the Academy upon the ability of the professors, speaks with diffidence of his power as a writer, (the world has in this respect done him justice;) but that he had come not unprepared upon the subject of art, having reflected much upon his own and the opinions of others. He found in the art many precepts and rules, not reconcilable with each other. "To clear away those difficulties and reconcile th
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