, and all others too,
of being jealous of artists and writers whose works they in any manner
censure.
* * * * *
The FIFTEENTH DISCOURSE.--We come now to Sir Joshua's last Discourse, in
which the President takes leave of the Academy, reviews his
"Discourses," and concludes with recommending the study of Michael
Angelo.
Having gone along with the President of the Academy in the pursuit of
the principles of the art in these Discourses, and felt a portion of the
enthusiasm which he felt, and knew so well how to impart to others, we
come to this last Discourse, with a melancholy knowledge that it was the
last; and reflect with pain upon that cloud which so soon interposed
between Reynolds and at least the practical enjoyment of his art. He
takes leave of the Academy affectionately, and, like a truth-loving man
to the last, acknowledges the little contentions (in so softening a
manner does he speak of the "rough hostility of Barry," and "oppositions
of Gainsborough") which "ought certainly," says he, "to be lost among
ourselves in mutual esteem for talents and acquirements: every
controversy ought to be--I am persuaded will be--sunk in our zeal for
the perfection of our common art." "My age, and my infirmities still
more than my age, make it probable that this will be the last time I
shall have the honour of addressing you from this place." This last
visit seemed to be threatened with a tragical end;--the circumstance
showed the calm mind of the President; it was characteristic of the man
who would die with dignity, and gracefully. A large assembly were
present, of rank and importance, besides the students. The pressure was
great--a beam in the floor gave way with a loud crash; a general rush
was made to the door, all indiscriminately falling one over the other,
except the President, who kept his seat "silent and unmoved." The floor
only sunk a little, was soon supported, and Sir Joshua recommenced his
Discourse.
"Justum et tenacem propositi
Impavidum ferient ruinae."
He compliments the Academy upon the ability of the professors, speaks
with diffidence of his power as a writer, (the world has in this respect
done him justice;) but that he had come not unprepared upon the subject
of art, having reflected much upon his own and the opinions of others.
He found in the art many precepts and rules, not reconcilable with each
other. "To clear away those difficulties and reconcile th
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