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Curious Man A Herald A Virtuoso An Intelligencer A Quibbler A Time-Server A Prater A Disputant A Projector A Complimenter A Cheat A Tedious Man A Pretender A Newsmonger A Modern Critic A Busy Man A Pedant A Hunter An Affected Man A Medicine-Taker The Miser A Swearer The Luxurious An Ungrateful Man A Squire of Dames An Hypocrite An Opinionater A Choleric Man A Superstitious Man A Droll The Obstinate Man A Zealot The Overdoer The Rash Man The Affected or Formal A Flatterer A Prodigal The Inconstant A Glutton A Ribald A Modern Politician A Modern Statesman A Duke of Bucks A Fantastic An Haranguer A Ranter An Amorist An Astrologer A Lawyer An Epigrammatist A Fanatic A Proselyte A Clown A Wooer An Impudent Man An Imitator A Sot A Juggler A Romance-Writer A Libeller A Factious Member A Play-Writer A Mountebank A Wittol A Litigious Man A Humourist A Leader of a Faction A Debauched Man The Seditious Man The Rude Man A Rabble A Knight of the Post An Undeserving Favourite A Malicious Man A Knave CHARACTER WRITING AFTER THE SEVENTEENTH CENTURY. WILLIAM WORDSWORTH Character of the Happy Warrior CHARACTER WRITINGS OF THE SEVENTEENTH CENTURY. _Character writing, as a distinct form of Literature, had its origin more than two thousand years ago in the [Greek: aethichoi Chadaaedes]---Ethic Characters--of Tyrtamus of Lesbos, a disciple of Plato, who gave him for his eloquence the name of Divine Speaker--Theophrastus. Aristotle left him his library and all his MSS., and named him his successor in the schools of the Lyceum. Nicomachus, the son of Aristotle, was among his pupils. He followed in the steps of Aristotle. Diogenes Laertius ascribed to Theophrastus two hundred and twenty books. He founded, by a History of Plants, the science of Botany; and he is now best known by the little contribution to Moral Philosophy, in which he gave twenty-eight short chapters to concise description of twenty-eight differing qualities in men. The description in each chapter was not of a man, but of a quality. The method of Theophrastus, as Casaubon said, was between the philosophical and the poetical. He described a quality, but he described it by personification, and his aim was the amending of men's manners. The twenty-eight ch
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