FREE BOOKS

Author's List




PREV.   NEXT  
|<   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102  
103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   >>   >|  
tion of the air is favorable, its song fills a space a mile in diameter. There are, perhaps, songs in our woods as mellow and brilliant, as is that of the closely allied species, the water-thrush; but our bird's song has but a mere fraction of the nightingale's volume and power. Strength and volume of voice, then, seem to be characteristic of the English birds, and mildness and delicacy of ours. How much the thousands of years of contact with man, and familiarity with artificial sounds, over there, have affected the bird voices, is a question. Certain it is that their birds are much more domestic than ours, and certain it is that all purely wild sounds are plaintive and elusive. Even of the bark of the fox, the cry of the panther, the voice of the coon, or the call and clang of wild geese and ducks, or the war-cry of savage tribes, is this true; but not true in the same sense of domesticated or semi-domesticated animals and fowls. How different the voice of the common duck or goose from that of the wild species, or of the tame dove from that of the turtle of the fields and groves! Where could the English house sparrow have acquired that unmusical voice but amid the sounds of hoofs and wheels, and the discords of the street? And the ordinary notes and calls of so many of the British birds, according to their biographers, are harsh and disagreeable; even the nightingale has an ugly, guttural "chuck." The missel-thrush has a harsh scream; the jay a note like "wrack," "wrack;" the fieldfare a rasping chatter; the blackbird, which is our robin cut in ebony, will sometimes crow like a cock and cackle like a hen; the flocks of starlings make a noise like a steam saw-mill; the white-throat has a disagreeable note; the swift a discordant scream; and the bunting a harsh song. Among our song-birds, on the contrary, it is rare to hear a harsh or displeasing voice. Even their notes of anger and alarm are more or less soft. I would not imply that our birds are the better songsters, but that their songs, if briefer and feebler, are also more wild and plaintive,--in fact, that they are softer-voiced. The British birds, as I have stated, are more domestic than ours; a much larger number build about houses and towers and outbuildings. The titmouse with us is exclusively a wood-bird; but in Britain three or four species of them resort more or less to buildings in winter. Their redstart also builds under the eaves of houses; their star
PREV.   NEXT  
|<   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102  
103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   >>   >|  



Top keywords:

species

 

sounds

 

English

 

domesticated

 

domestic

 

disagreeable

 

nightingale

 

houses

 
scream
 

British


thrush
 

plaintive

 

volume

 
throat
 

fieldfare

 
rasping
 
chatter
 

missel

 

guttural

 

blackbird


cackle

 

flocks

 
discordant
 

starlings

 
exclusively
 

Britain

 

titmouse

 

towers

 
outbuildings
 

builds


redstart

 

resort

 

buildings

 

winter

 

number

 

larger

 

displeasing

 

contrary

 
softer
 
voiced

stated

 

feebler

 

songsters

 

briefer

 

bunting

 

contact

 

familiarity

 

thousands

 

delicacy

 

characteristic