ed
as in some measure characteristic of the nation.
In an American or English ship, a boy when flogged is either lashed to
the breech of a gun, or brought right up to the gratings, the same
way the men are. But as a general rule, he is never punished beyond
his strength. You seldom or never draw a cry from the young rogue. He
bites his tongue and stands up to it like a hero. If practicable
(which is not always the case), he makes a point of smiling under the
operation. And so far from his companions taking any compassion on
him, they always make merry over his misfortunes. Should he turn baby
and cry, they are pretty sure to give him afterward a sly pounding in
some dark corner.
This tough training produces its legitimate results. The boy becomes,
in time, a thoroughbred tar, equally ready to strip and take a dozen
on board his own ship, or, cutlass in hand, dash pell-mell on board
the enemy's. Whereas the young Frenchman, as all the world knows,
makes but an indifferent seaman; and though, for the most part, he
fights well enough, somehow or other he seldom fights well enough to
beat.
How few sea-battles have the French ever won! But more: how few ships
have they ever carried by the board--that true criterion of naval
courage! But not a word against French bravery--there is plenty of
it; but not of the right sort. A Yankee's, or an Englishman's, is the
downright Waterloo "game." The French fight better on land; and not
being essentially a maritime people, they ought to stay there. The
best of shipwrights, they are no sailors.
And this carries me back to the Reine Blanche, as noble a specimen of
what wood and iron can make as ever floated.
She was a new ship: the present her maiden cruise. The greatest pains
having been taken in her construction, she was accounted the "crack"
craft in the French navy. She is one of the heavy sixty-gun frigates
now in vogue all over the world, and which we Yankees were the first
to introduce. In action these are the most murderous vessels ever
launched.
The model of the Reine Blanche has all that warlike comeliness only to
be seen in a fine fighting ship. Still, there is a good deal of
French flummery about her--brass plates and other gewgaws stuck on
all over, like baubles on a handsome woman.
Among other things, she carries a stern gallery resting on the
uplifted hands of two Caryatides, larger than life. You step out upon
this from the commodore's cabin. To behold th
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