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lanting masts in the sockets, while others went and took frames which were leaning against the walls of the stage and proceeded to lash them with strong cords to the poles already in position. At the back of the stage, with a view to producing the bright rays thrown by Vulcan's glowing forge, a stand had been fixed by a limelight man, who was now lighting various burners under red glasses. The scene was one of confusion, verging to all appearances on absolute chaos, but every little move had been prearranged. Nay, amid all the scurry the whistle blower even took a few turns, stepping short as he did so, in order to rest his legs. "His Highness overwhelms me," said Bordenave, still bowing low. "The theater is not large, but we do what we can. Now if His Highness deigns to follow me--" Count Muffat was already making for the dressing-room passage. The really sharp downward slope of the stage had surprised him disagreeably, and he owed no small part of his present anxiety to a feeling that its boards were moving under his feet. Through the open sockets gas was descried burning in the "dock." Human voices and blasts of air, as from a vault, came up thence, and, looking down into the depths of gloom, one became aware of a whole subterranean existence. But just as the count was going up the stage a small incident occurred to stop him. Two little women, dressed for the third act, were chatting by the peephole in the curtain. One of them, straining forward and widening the hole with her fingers in order the better to observe things, was scanning the house beyond. "I see him," said she sharply. "Oh, what a mug!" Horrified, Bordenave had much ado not to give her a kick. But the prince smiled and looked pleased and excited by the remark. He gazed warmly at the little woman who did not care a button for His Highness, and she, on her part, laughed unblushingly. Bordenave, however, persuaded the prince to follow him. Muffat was beginning to perspire; he had taken his hat off. What inconvenienced him most was the stuffy, dense, overheated air of the place with its strong, haunting smell, a smell peculiar to this part of a theater, and, as such, compact of the reek of gas, of the glue used in the manufacture of the scenery, of dirty dark nooks and corners and of questionably clean chorus girls. In the passage the air was still more suffocating, and one seemed to breathe a poisoned atmosphere, which was occasionally relieved by
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