became execrable; the wine, which had
always been bad, became fearfully bad. Nevertheless, Courfeyrac and his
friends continued to go to Corinthe,--out of pity, as Bossuet said.

The Widow Hucheloup was breathless and misshapen and given to rustic
recollections. She deprived them of their flatness by her pronunciation.
She had a way of her own of saying things, which spiced her
reminiscences of the village and of her springtime. It had formerly been
her delight, so she affirmed, to hear the loups-de-gorge (rouges-gorges)
chanter dans les ogrepines (aubepines)--to hear the redbreasts sing in
the hawthorn-trees.

The hall on the first floor, where "the restaurant" was situated, was
a large and long apartment encumbered with stools, chairs, benches, and
tables, and with a crippled, lame, old billiard-table. It was reached
by a spiral staircase which terminated in the corner of the room at a
square hole like the hatchway of a ship.

This room, lighted by a single narrow window, and by a lamp that was
always burning, had the air of a garret. All the four-footed furniture
comported itself as though it had but three legs--the whitewashed walls
had for their only ornament the following quatrain in honor of Mame
Hucheloup:--

Elle etonne a dix pas, elle epouvente a deux,
Une verrue habite en son nez hasardeux;
On tremble a chaque instant qu'elle ne vous la mouche
Et qu'un beau jour son nez ne tombe dans sa bouche.[48]

This was scrawled in charcoal on the wall.

Mame Hucheloup, a good likeness, went and came from morning till
night before this quatrain with the most perfect tranquillity. Two
serving-maids, named Matelote and Gibelotte,[49] and who had never been
known by any other names, helped Mame Hucheloup to set on the tables
the jugs of poor wine, and the various broths which were served to the
hungry patrons in earthenware bowls. Matelote, large, plump, redhaired,
and noisy, the favorite ex-sultana of the defunct Hucheloup, was
homelier than any mythological monster, be it what it may; still, as it
becomes the servant to always keep in the rear of the mistress, she was
less homely than Mame Hucheloup. Gibelotte, tall, delicate, white with a
lymphatic pallor, with circles round her eyes, and drooping lids, always
languid and weary, afflicted with what may be called chronic lassitude,
the first up in the house and the last in bed, waited on every one, even
the other maid, sil