we have
just said, and at the same time senile, conveyed to him, by their very
childishness, a tolerably just notion of the influence of gold lace on
the imaginations of young girls. He once chanced to see a general on
horseback, in full uniform, pass along the street, Comte Coutard, the
commandant of Paris. He envied that gilded man; what happiness it
would be, he said to himself, if he could put on that suit which was an
incontestable thing; and if Cosette could behold him thus, she would be
dazzled, and when he had Cosette on his arm and passed the gates of the
Tuileries, the guard would present arms to him, and that would suffice
for Cosette, and would dispel her idea of looking at young men.
An unforeseen shock was added to these sad reflections.
In the isolated life which they led, and since they had come to dwell
in the Rue Plumet, they had contracted one habit. They sometimes took
a pleasure trip to see the sun rise, a mild species of enjoyment which
befits those who are entering life and those who are quitting it.
For those who love solitude, a walk in the early morning is equivalent
to a stroll by night, with the cheerfulness of nature added. The streets
are deserted and the birds are singing. Cosette, a bird herself, liked
to rise early. These matutinal excursions were planned on the preceding
evening. He proposed, and she agreed. It was arranged like a plot, they
set out before daybreak, and these trips were so many small delights for
Cosette. These innocent eccentricities please young people.
Jean Valjean's inclination led him, as we have seen, to the least
frequented spots, to solitary nooks, to forgotten places. There then
existed, in the vicinity of the barriers of Paris, a sort of poor
meadows, which were almost confounded with the city, where grew in
summer sickly grain, and which, in autumn, after the harvest had been
gathered, presented the appearance, not of having been reaped, but
peeled. Jean Valjean loved to haunt these fields. Cosette was not bored
there. It meant solitude to him and liberty to her. There, she became a
little girl once more, she could run and almost play; she took off her
hat, laid it on Jean Valjean's knees, and gathered bunches of flowers.
She gazed at the butterflies on the flowers, but did not catch them;
gentleness and tenderness are born with love, and the young girl who
cherishes within her breast a trembling and fragile ideal has mercy on
the wing of a butterfly.
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