FREE BOOKS

Author's List




PREV.   NEXT  
|<   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91  
92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   >>   >|  
ence and corruption of the language. Padre Calogera, too, who was then editing the _Giornale de' Letterati d'Italia_, composed and published praises on it, which were certainly above its merits. I flatter myself that my readers will not think I record these facts out of vanity. I was not personally acquainted with either Lami or Calogera. It is not my habit to correspond with celebrated men of letters in order to manufacture testimonials out of their civil and flattering replies. I do not condescend to wheedle journalists and reviewers into imposing on the credulity of the public by calling bad things good and good things bad in my behoof. I have always been so far sensible as to check self-esteem, and to appreciate my literary toys at their due worthlessness. Writers who by tricks of this kind, extortions, canvassings, and subterfuges, seek to gratify their thirst for fame, and to found a reputation upon bought or begged for attestations, are the objects of my scorn and loathing. For Lami and Calogera I cherished sentiments of gratitude. I seemed to find in them a spirit kindred to my own, and a conviction that I had uttered what was useful in the cause of culture. As a matter of fact, although the _Tartana_ was written in strict literary Tuscan, although its style was modelled upon that of antiquated Tuscan authors, especially of Luigi Pulci, and was therefore "caviare to the general," the book obtained a rapid and wide success. The partisans of Goldoni and Chiari took it for a gross malignant satire. Possibly the rarity of copies, and the fact that it came from Paris, helped to float the little poem. Anyhow, it created such a sensation, raised so much controversy, and brought so many young students into relations with myself and membership among the Granelleschi, that I almost dared to hope for a new turn of the tide in literature. It was this hope which made me follow up the missile I had cast into the wasp's nest of bad authorship by a pleasant retort against Goldoni's strictures on my _Tartana_. Goldoni was a good fellow at bottom, but splenetic, and a miserable writer. Having begun life as a pleader at the bar of Venice, he never succeeded in throwing off a certain air of professional coarseness and a tincture of forensic rhetoric. I seized upon this point of weakness, and indited an epistle, which he was supposed to have written me, larded with all the jargon of the law-courts. The object of the letter was
PREV.   NEXT  
|<   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91  
92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   >>   >|  



Top keywords:
Goldoni
 

Calogera

 

literary

 

things

 

Tartana

 

Tuscan

 

written

 

sensation

 

created

 

raised


relations
 

brought

 
controversy
 

students

 

membership

 

rarity

 

obtained

 

success

 

Chiari

 

partisans


general

 
caviare
 

helped

 

satire

 
malignant
 

Possibly

 

Granelleschi

 
copies
 

Anyhow

 

missile


coarseness

 

professional

 

tincture

 

forensic

 

rhetoric

 

Venice

 

succeeded

 

throwing

 

seized

 
jargon

courts

 
object
 
letter
 

larded

 

indited

 

weakness

 

epistle

 

supposed

 

pleader

 

authors