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agnolo and the above-mentioned nuptials, also they did themselves much honour. Mirabello has painted many portraits, and in particular that of the most illustrious Prince more than once, and many others that are in the hands of various gentlemen of Florence. Another, also, who has done much honour to our Academy and to himself, is Federigo di Lamberto of Amsterdam, a Fleming, the son-in-law of the Paduan Cartaro, working in the said obsequies and in the festive preparations for the nuptials of the Prince, and besides this he has shown in many pictures painted in oils, both large and small, and in other works that he has executed, a good manner and good design and judgment. And if he has merited praise up to the present, he will merit even more in the future, for he is labouring constantly with much advantage in Florence, which he appears to have chosen as his country, that city being one where young men derive much benefit from competition and emulation. A beautiful genius, also, universal and abundant in fine fantasies, has been shown by Bernardo Timante Buontalenti, who had his first principles of painting in his youth from Vasari, and then, continuing, has made so much proficiency that he has now served for many years, and still serves with much favour, the most illustrious Lord Don Francesco de' Medici, Prince of Florence. That lord has kept him continually at work; and he has executed for his Excellency many works in miniature after the manner of Don Giulio Clovio, such as many portraits and scenes with little figures, painted with much diligence. The same Bernardo has made with a beautiful architectural design, by order of the said Prince, a cabinet with compartments of ebony and columns of heliotrope, oriental jasper, and lapis-lazuli, which have bases and capitals of chased silver; and besides this he has filled the whole surface of the work with jewels and most lovely ornaments of silver and beautiful little figures, within which ornaments are to be miniatures, and, between terminals placed in pairs, figures of silver and gold in the round, separated by other compartments of agate, jasper, heliotrope, sardonyx, cornelian, and others of the finest stones, to describe all which here would make a very long story. It is enough that in this work, which is near completion, Bernardo has displayed a most beautiful genius, equal to any work. Thus that lord makes use of him for many ingenious fantasies of his own of c
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