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s a Nativity of Our Lord executed with much diligence, with many portraits from life. Not to speak of many pictures of Our Lady and various portraits that he has painted in Rome and in Florence, and pictures executed in the Vatican, as has been related above. There are also certain other young painters of the same Academy who have been employed in the above-mentioned decorations, some of Florence and some of the Florentine States. Alessandro del Barbiere, a young Florentine of twenty-five, besides many other works, painted for the said nuptials in the Palace, after the designs and directions of Vasari, the canvases of the walls in the Great Hall, wherein were depicted the squares of all the cities in the dominion of the Lord Duke; in which he certainly acquitted himself very well, and proved himself a young man of judgment and likely to achieve any success. In like manner, Vasari has been assisted in these and other works by many other disciples and friends; Domenico Benci, Alessandro Fortori of Arezzo, his cousin Stefano Veltroni, and Orazio Porta, both of Monte Sansovino, and Tommaso del Verrocchio. In the same Academy there are also many excellent craftsmen who are strangers, of whom we have spoken at length in various places above; and therefore it shall suffice here to make known their names, to the end that they may be numbered in this part among the other Academicians. These, then, are Federigo Zucchero; Prospero Fontana and Lorenzo Sabatini, of Bologna; Marco da Faenza, Tiziano Vecelli, Paolo Veronese, Giuseppe Salviati, Tintoretto, Alessandro Vittoria, the sculptor Danese, the painter Battista Farinato of Verona, and the architect Andrea Palladio. Now, to say something also of the sculptors in our Academy and of their works, although I do not intend to speak of them at any length, because they are alive and for the most part most illustrious in name and fame, I say that Benvenuto Cellini, a citizen of Florence, who is now a sculptor (to begin with the oldest and most honoured), had no peer in his youth when he was a goldsmith, nor perhaps had he for many years any equal in that profession and in making most beautiful figures in the round and in low-relief, and all the other works of that craft. He set jewels, and adorned them with marvellous collets and with little figures so well wrought, and at times so bizarre and fantastic that it is not possible to imagine anything finer or better. And the medals that
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